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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Create Cinematic Energy Blasts With Blender

June 13, 2018, 09:57 AM

https://lesterbanks.com/2018/06/cinematic-energy-b...

Joel Adams Teaches How to Make Great-Looking Energy Blasts With Blender. Cinematic energy blasts? We’ve seen them in all kinds of films from science fiction to fantasy. With Iridesium’s latest tutorial you too can have

Xpresso and Tracers Create a Heart Monitor Effect

June 12, 2018, 04:13 PM

https://lesterbanks.com/2018/06/xpresso-tracers-he...

Julian Field Shows How to Create a Heart Monitor Effect in Cinema 4D With a Bit of Xpresso. A new two-part series from the Xpresso Mechanic Julian Field shows how to create a heart monitor

Browser Pro for Maya Adds New KitBash Support

June 12, 2018, 10:33 AM

https://lesterbanks.com/2018/06/browser-pro-maya-k...

DGDM’s Browser Pro Adds Some Kitbash Tools to its Feature-Set. A recent update to Browser Pro sees some new Kitbash tools creep into an already powerful asset management tool for Autodesk Maya. Browser Pro lets

Free Tutorial Using the ACME Audio Opticom

June 12, 2018, 04:31 AM

https://www.pro-tools-expert.com/home-page/2018/06...

In this free video tutorial brought to you in with the support of Plugin Alliance, Pro Tools Expert team member Julian Rodgers demonstrates using the Acme Audio Opticom XLA-3 Compressor On Drums. See how this valve optical compressor can be unlinked to increase stereo width and used with the dynamics section bypassed to introduce colour and distortion.

Grass Kit Updates to Support Physical, V-Ray and C

June 11, 2018, 09:28 AM

https://lesterbanks.com/2018/06/grass-kit-physical...

Bosko Lazovic’s Grass Kit for Cinema 4D Updates to Support Third Party Renderers. Grass Kit for Cinema 4D is a tool that lets you create and customize grass fields for realistic renders, quickly. A recent

Houdini Gains Suite of Motion Graphics Nodes

June 11, 2018, 09:28 AM

https://lesterbanks.com/2018/06/houdini-motion-gra...

An Alpha Release of Motion Graphics Nodes for Houdini Offers Custom Built Assets for Designers. Motion Designers and Houdini users have a reason to rejoice. Entagma’s Moritz Schwind and Toadstorm’s Henry Foster have developed what

Why Set Matte Effect Sometimes Doesn’t Work and

June 9, 2018, 01:24 PM

https://lesterbanks.com/2018/06/set-matte-effect-d...

Roei Tzoref Shares Some Insights Into After Effects’ Set Matte Effect. The differences between Set Matte Effect and a Track Matte in After Effects can be profound. Set Matte allows you to use only one

AE Project Diary: 6) Xian part 2. Color Grading

June 9, 2018, 09:12 AM

https://www.provideocoalition.com/ae-project-diary...

This is part 2 of my After Effects diary on the Xian project, and in it I’ll be looking at colour grading. If you missed part 1, I mentioned that the Xian project marked several milestones for me, and that I had been trying to cram so many different subjects together that it had taken me two years and four attempts just get to part 1 out. The mistake I had been making was to confuse two distinct topics – compositing and colour grading – which is interesting in hindsight, as the theme of th...

Trigger After Effects Layer Visibility With Sound

June 9, 2018, 07:37 AM

https://lesterbanks.com/2018/06/trigger-ae-layer-v...

Ukramedia Shows How to Pop Elements into a Scene With Layer Visibility Using Sound and Expressions. What looks like fast and precise cutting doesn’t necessarily mean creating lots of tedious cuts. If you are working

How to Override Redshift Proxy Parameters in Rende

June 9, 2018, 07:37 AM

https://lesterbanks.com/2018/06/override-redshift-...

Adrian Cruceru Shows How to Create Overrides from Redshift Proxy Parameters When Using Maya’s Redner Setup. Autodesk Maya’s Render Setup is a fantastic tool for breaking apart a scene for rendering. Taking over from the

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