To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Building an Effective Color Managed Workflow

January 19, 2015, 10:22 AM

https://www.aotg.com/building-an-effective-color-managed-workflow/

Everyone has different needs when it comes to image processing. Whether your final output is a website, a digital c-print or an inkjet print tailoring your workflow is essential to insuring the quality of your work. In this class X-Rite’s Jeff Lazell uses his decade of experience as a production manager in NYC premier wedding and portrait studio to help you build an effective, color managed post-production workflow.

Koji and Impulz LUTs for BMPCC

January 19, 2015, 06:01 AM

https://www.aotg.com/koji-and-impulz-luts-for-bmpcc/

In this video I tested the new Koji Luts and some negative Impulz. The video was shot on BMPCC (Blackmagic…

Color Grading - Exodus: Gods and Kings

January 19, 2015, 06:00 AM

https://library.creativecow.net/wall_kylee/Color-G...

The transition to digital wasn't difficult for Nakamura. "I had been color correcting film to video in telecine, which is a film to video transfer, for over a decade. And then I'm doing a digital intermediate, which is color correcting scanned film. Even in the rudimentary days of the digital video revolution, we still made the images look filmic. It's much easier today, but even back then, we would create our own look-up tables and color correct it so it looks like a log-ish image."

'101 Dalmatians' Color Stylist Peregoy Dies

January 19, 2015, 06:00 AM

http://www.animationmagazine.net/people/101-dalmat...

Walt Peregoy, who worked as the the legendary color stylist on Disney's classic feature 101 Dalmatians, died Friday, according to the official D23 Twitter account.

DaVinci Resolve Used on "Exodus: Gods and Kings"

January 15, 2015, 11:30 AM

https://www.aotg.com/davinci-resolve-used-on-exodus-gods-and-kings/

Blackmagic Design today announced that DaVinci Resolve was used at Deluxe Creative Services' Company 3 by colorist Stephen Nakamura to grade 20th Century Fox's epic adventure "Exodus: Gods and Kings."

#blackmagic design#davinci resolve#company 3#exodus#ridley scott#gods and kings
What's Teal, Orange, Purple and Pink, and has jus

January 13, 2015, 06:10 AM

http://www.redsharknews.com/production/item/2292-w...

A major part of this film's success is surely its glorious use of colour Grand Budapest HotelWes AndersonGradingColourLookCelluloid

Foucault, Colour Correction, and the Autochrome

January 12, 2015, 01:42 PM

http://www.aotg.com/index.php?page=cuttingroom_160

In the early 1900's, the Autochrome photographic production process utilized an additive colour process on glass plates, the procedure used coloured potato starch as a grain layer and created fantastic image results that give the impression of being a painting. Aotg.com investigates this early process through a discussion with John Wood, author of The Art of the Autochrome: The Birth of Colour Photography.

#color correction#foucault#autochrome#color photography
How To Become A Better Colorist

January 11, 2015, 12:19 PM

http://jonnyelwyn.co.uk/avid/how-to-become-a-bette...

If you want to become a better colorist in 2015, then spending a little bit of time learning from some of the world's best colorists, could do you no harm. To that end, check out this extensive round up.

#color grading#davinci resolve#baselight#color grading feature films#color grading tv shows
Cinestyle Color Correction - Tips for Fast Primari

January 11, 2015, 09:41 AM

https://www.aotg.com/cinestyle-color-correction-tips-for-fast-primari/

In this tutorial we take a look at two ways to do primary color correction on footage shot with Technicolor's Cinestyle Profile.

4K Studios uses Blackmagic Design UltraHD workflow

January 8, 2015, 09:38 AM

https://www.aotg.com/4k-studios-uses-blackmagic-design-ultrahd-workflow/

Fremont, CA - January 8, 2015 - Blackmagic Design today announced that San Francisco based 4K Studios is using a Blackmagic Production Camera 4K, ATEM Production Studio 4K and DaVinci Resolve, as well as a number of additional Blackmagic Design products, to help support its 4K workflow. 4K Studios converts existing media and creates original materials for its new Ultra HD network, UltraFlix.

#blackmagic design#4k#ultra hd#4k studios#ultraflix#nanotech entertainment

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