It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 4, 2014, 12:52 PM
http://feedproxy.google.com/~r/norendercom/~3/1raR...
Sois muchos los que nos habéis preguntado dudas acerca de la compatibilidad de Davinci Resolve […]
December 3, 2014, 01:00 PM
https://www.aotg.com/kevin-shaw-on-advanced-color-grading-at-ica/
In this episode of Color Talk we dig in deep with Kevin Shaw, Instructor from the International Colorist Academy, about his new class - Advanced Color Gradin...
November 28, 2014, 07:47 AM
http://videoandfilmmaker.com/wp/index.php/tutorial...
Why does the colour of light get cooler as the colour temperature increases? If Lee 201 Full CT Blue converts 3200K tungsten light to 5700K daylight, why do two layers of 201 (or one layer of Lee 200 Double CT Blue) convert the same 3200K light to 26,000K? Is it actually possible to predict the outcome of combining correction filters?
November 27, 2014, 03:33 PM
http://www.premiumbeat.com/blog/blockbuster-luts-v...
Instantly give your video projects a Hollywood look with LUTs for your video editing or color grading application. The post Blockbuster LUTs for Video Editors and Colorists appeared first on The Beat: A Blog by PremiumBeat.
November 27, 2014, 12:05 PM
https://www.aotg.com/review-of-sony-catalyst-browse-for-the-sony-a7s/
This is my quick review of Sony Catalyst Browse for the Sony A7s. Catalyst Browse is Sony's free software that does logging, transcoding and LUT creation.
November 24, 2014, 07:31 PM
https://www.aotg.com/bcc-and-red-titling-in-davinci-resolve/
Kevin P. McAuliffe shows you how you easy is it to incorporate BCC and RED seamlessly into your Resolve workflow and create extruded text, extruded eps, lowe...
November 23, 2014, 11:39 AM
https://www.aotg.com/color-grading-for-a-warm-film-look-using-resolve/
In this tutorial, I'll show you how to color grade a short home movie to give it a warm film look using Premiere, Resolve, a stylistic LUT. Enjoy! Free Warm ...
November 23, 2014, 11:38 AM
https://www.aotg.com/victory-luts-by-ground-control/
Download Now: www.groundcontrolcolor.com The wait is over, Canon users! Here's a killer LUT pack specially designed for Cinestyle footage. Any model of camer...
November 22, 2014, 05:02 PM
http://provideocoalition.com/atepper/story/smartvi...
At IBC in Amsterdam, Blackmagic showed its US$1995 SmartView 4K (Ultra HD) monitor, which features built-in 3D LUTs, Teranex scaler, adjustable on screen markers, H/V delay, blue only, 12G-SDI inputs, and more. Many readers may immediately imagine that the SmartView 4K might be a direct competitor to an HP DreamColor. I conducted a short interview about some of its yet unpublished specs. Let’s see in which respects it’s like a DreamColor, and in which it isn’t.
November 20, 2014, 08:00 AM
https://www.aotg.com/red-a-kubrick-supercut/
A supercut examining Stanley Kubrick's use of the color red. Edited by Rishi Kaneria (@rishikaneria).
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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