To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color Specialist Apache Digital Opens in Santa Mon

July 21, 2014, 12:29 PM

http://www.studiodaily.com/2014/07/color-specialis...

Veterans of The Mill and Company 3 have opened Apache Digital, a Santa Monica boutique specializing in color grading for spots. The new facility with its two dedicated color suites will be run by Executive Producer and Managing Director LaRue … more »

Top Nineteen Tips For Working With The Professiona

July 20, 2014, 01:38 PM

http://www.chrisjonesblog.com/2014/07/nineteen-wor...

My first few films, being shot and post produced on film, the old school photochemical route, gave me a VERY healthy respect for colour graders. Back then, the tools available were mind bendingly rudimentary and the guys who graded films were masters. Wizards even.

DaVinci Resolve 11.0 Beta 2 With H.264 Encoding Op

July 19, 2014, 09:04 AM

http://cinescopophilia.com/davinci-resolve-11-0-be...

DaVinci Resolve 11.0 Beta 2 drops with H.264 encoding options, ProRes 444 XQ, better DNG support, capture to QuickTime files...

Blackmagic DaVinci Resolve 11 Beta 2

July 19, 2014, 09:03 AM

http://alex4d.com/notes/item/blackmagic-davinci-re...

New beta version of Resolve New H.264 encoding options, ProRes 444 XQ, better DNG support, FCP 10.1.2 XML, capture to QuickTime files and more!  

Color Management with Cinema

July 19, 2014, 09:01 AM

http://www.red.com/learn/red-101/cinema-color-mana...

Color management is a process that helps achieve more predictable and consistent color. However, many of the core concepts involve color science and are often unfamiliar to even experienced users. In this article, we’ll introduce the key technologies and best practices as they pertain to cinematic and broadcast distribution.

ICA 201: Advanced Colorist Strageties with DaVinci

July 19, 2014, 09:00 AM

http://events.creativecow.net/event/3641/ica-201-a...

This new class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning.

Exploring Light, Color, and Design Magic with Chuc

July 19, 2014, 08:59 AM

http://thenextweb.com/creativity/2014/07/19/explor...

The work of artist and designer Chuck Anderson (aka NoPattern) is a fantastic example of how to combine photography, light effects and color harmony to come up with bright, vivid images with an undeniable sense of individuality.

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