It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 19, 2016, 05:44 AM
https://www.inverse.com/article/18414-ghostbusters...
hen director Paul Feig embarked on making a brand new Ghostbusters movie, one of the many challenges he faced would be how to realize a host of supernatural beings. The original Ivan Reitman films had made stunning use of practical and optical effects to bring the ghosts to life. But in 2016, of course, advanced computer generated imagery techniques were available to the filmmakers, and virtually required for a big blockbuster.
July 19, 2016, 05:44 AM
http://www.macworld.com/article/3096951/ios/lacie-...
As great as Apple’s tablets, smartphones and computers are, nothing’s perfect. All hardware eventually fails. Your iPhone or MacBook can get lost or stolen. Files can be corrupted. If any of these things happen at a time when backing your data up to the cloud isn’t an option, you’re gonna have a bad day. For a guy like me, who travels as he works, one bad day’s worth of lost data can add up to a ton of lost revenue.
July 19, 2016, 05:43 AM
https://www.aotg.com/animating-3d-logos-in-motion/
In this episode, Mark Spencer demonstrates how to turn flat 2D logos into 3D logos then animate them using Text Behaviors in Motion 5.
July 18, 2016, 04:19 PM
http://www.studiodaily.com/2016/07/deluxe-puts-for...
Deluxe named John Paulson, former CEO of agency Tag Worldwide, as president and general manager of features and advertising post services. Reporting to Deluxe CEO John Wallace, Paulson's new purview will include editorial, color, post and production services at Beast, Company … more » The post Deluxe Puts Former Tag CEO John Paulson in Charge of Features, Advertising Post appeared first on Studio Daily.
July 18, 2016, 04:18 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
The 2016 Emmy nominations for Outstanding Main Title Design were announced on July 14th with industry stalwarts Imaginary Forces, Elastic, and Digital Kitchen taking home all of the nominations.Studio Elastic continues its three-year nomination streak, earning its fifth and sixth nominations for the openings of Amazon’s The Man in the High Castle and AMC’s The Night Manager. Elastic previously won the title design Emmy in 2014 for True Detective.This is also the third year in which Imagi...
July 18, 2016, 12:05 PM
http://www.postmagazine.com/Press-Center/Daily-New...
DALLAS — Editor Marc Stone has joined Lucky Post (www.lucky-post.com) in Dallas. He is known for finding the emotion in each edit that he works on.
July 18, 2016, 12:04 PM
http://postperspective.com/axis-works-with-bungie-...
London-based CG and animation house Axis has collaborated with game developer Bungie and game publisher Activision to create the cinematic sequences, based on Bungie’s initial previs, for the Destiny: Rise of Iron trailer. Destiny: Rise of Iron features new storylines, locations, gear, maps, enemies and missions, Continue reading →July 18, 2016
July 18, 2016, 12:04 PM
https://www.aotg.com/the-new-essential-sound-panel-esp/
Last week, Adobe released updates to all their audio and video software. In this week’s session, host Larry Jordan illustrates the principle new features and shows how to put them to work in your projects.
July 18, 2016, 05:15 AM
http://www.digimediapros.com/toon-boom-harmony-14-...
Toom Boom has released the latest version of their award-winning 2D animation and storyboarding software, Toon Boom Harmony 14. Read on to find out more.
July 18, 2016, 05:14 AM
http://www.provideocoalition.com/real-world-day-ed...
Earlier this summer I was hired on a job to edit same day content for CMA Music Festival. It’s one of the biggest music festivals around and they produce a good bit of content that shows nightly at the stadium as well as online. Working with our friends at Taillight TV the weeklong job required The post Real-world, same-day editing with the Lumaforge Jellyfish and Adobe Premiere Pro appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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