To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Sound Mixing: 58th Annual CAS Award Winners

March 22, 2022, 08:41 AM

https://postperspective.com/sound-mixing-58th-annu...

After a virtual event in 2021, the 58th Annual Cinema Audio Society Awards returned to the InterContinental Los Angeles Downtown.  Winners were announced for Outstanding Achievement in Sound Mixing for 2021 in seven categories. Director and producer Sir Ridley Scott received the Cinema Audio Society Filmmaker Award. There were also two Outstanding Product winners and a Student Recognition Award. Continue reading → March 21, 2022 The post Sound Mixing: 58th Annual CAS Award Winners appeared fi...

VFX Futures The virtual production behind the pir

March 22, 2022, 08:40 AM

https://beforesandafters.com/2022/03/22/vfx-future...

The new HBO Max show Our Flag Means Death required a number of scenes to be set on a pirate ship on the ocean. Ultimately, the sequences were realized with actors on a partial ship build on a soundstage against a 30 foot by 160 foot LED wall. Projected onto the wall were stitched-together ocean plates crafted by Stargate Studios, headed up by Sam Nicholson.

Locke Key Season 2 VFX Breakdown by El Ranchi

March 22, 2022, 08:40 AM

https://www.artofvfx.com/locke-and-key-season-2-vf...

Let’s discover the work made by the teams of El Ranchito on the second season of Locke & Key...

Blackmagic Design Cameras and Gear Used on 2022 Oscar® Nominated Films

March 21, 2022, 02:08 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design congratulates the production and post professionals whose creativity helped bring the 2022 Oscar® nominated films to audiences around the globe. Blackmagic Design’s Pocket Cinema Camera line of digital film cameras, DaVinci Resolve Studio editing, color grading, visual effects (VFX) and audio post production software, and more were used on a variety of the films nominated for the 94th Academy Awards, such as “The Power of the Dog,” “Belfast” and “Spider-Man™: No ...

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Editor Janus Billeskov Jansen Explains His Role In

March 21, 2022, 08:34 AM

https://www.cartoonbrew.com/feature-film/editor-ja...

Flee, an animated feature film by Jonas Poher Rasmussen, is about a man (Amir) recounting his experience being forced to flee Afghanistan while also struggling with his sexuality. The film is a fascinating and poignant work that fuses documentary, animation, and archival footage over very distinct segments that shift between Amir’s present as he recounts his story to a friend and the recreation of Amir’s past experiences.

How Spiderman no way home VFXs Were Made

March 20, 2022, 03:15 PM

https://www.youtube.com/watch?v=DdhLBZpIq2c

"Tom Holland does a ton of his own stunts." Kelly Port, the Visual Effects Supervisor for 'Spider-Man: No Way Home,' gives his in-depth analysis and insider's look at the CGI and VFX in the scenes leading up to Doctor Octopus's introduction during the "bridge fight."

Aardman appoints two to new roles

March 19, 2022, 12:42 PM

https://www.postmagazine.com/Press-Center/Daily-Ne...

BRISTOL, UK — Independent animation studio Aardman (www.aardman.com) has announced the appointments of Steven Shapiro and Harry Linden to the positions of chief technical officer and head of stop-frame production respectively - both newly-created roles. The studio recently received an Academy Award-nomination for its animated short, Robin Robin.

7 Basic Editing Tips for Creating TikTok Videos on the Fly

March 18, 2022, 08:39 AM

https://www.premiumbeat.com/blog/7-basic-video-edi...

From building your edit while you record, to moving clips around on your timeline, here are some basic video editing tips for TikTok videos.

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