To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Audio Post: The Oscar-Nominated Sound of West Side Story

March 24, 2022, 08:25 AM

https://postperspective.com/audio-post-the-oscar-n...

By Iain Blair When veteran director and producer Steven Spielberg took on the challenge of reimagining West Side Story, it paved the way for several new firsts in his long and storied career. This was his first musical, and it earned him his eighth Best Directing Oscar nomination — making him the first person to get a nom in the directing category in six consecutive decades. Continue reading → March 23, 2022 The post Audio Post: The Oscar-Nominated Sound of West Side Story appeared fi...

VFX Notes The VFX of SpiderMan No Way Home

March 24, 2022, 08:24 AM

https://beforesandafters.com/2022/03/24/vfx-notes-...

Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters show off their spidey senses in a breakdown of the VFX in Spider-Man: No Way Home. We cover in particular the work by Digital Domain, Framestore and Imageworks, overseen by VFX supe Kelly Port.

94th Oscars Best Film Editing Nominees

March 24, 2022, 08:24 AM

https://www.youtube.com/watch?v=m83N2j8R6Eo

Academy Panels is a new series from the Academy that shines a light on craftspeople and filmmakers as well as the humanity behind their artistry. In addition to talking craft, these artists share the humanity behind the artistry. Hosted by EVP of Membership Relations and Awards, Shawn Finnie.

Dan Oliver and ShangChi VFX team have their eye

March 24, 2022, 08:24 AM

https://if.com.au/dan-oiiver-and-shang-chi-vfx-tea...

The past three projects special effects supervisor Dan Oliver has worked on have included two Marvel titles, two collaborations with Chris Hemsworth, and earned him his second Oscar nomination.

Academy Crafts Furious over Oscars Telecast

March 24, 2022, 08:24 AM

https://www.indiewire.com/2022/02/academy-crafts-f...

Academy members contacted by IndieWire are fuming about Tuesday’s email letter from president David Rubin announcing that five craft and three short film category presentations will be cut out of the live broadcast at the Dolby Theater on March 24. The eight categories consist of animated, documentary, and live action shorts, editing, makeup and hairstyling, original score, production design, and sound.

94th Oscars The VFX BakeOff

March 24, 2022, 08:23 AM

https://www.artofvfx.com/94th-oscars-the-vfx-bake-...

Great! The Academy of Motion Picture Arts and Sciences has released the VFX Bake-Off for their nominees. The perfect occasion to have a deeper look at the work made by the visual effects teams on Dune, Free Guy, No Time to Die, Shang-Chi and the Legend of the Ten Rings and Spider-Man: No Way Home!

The VFX Post Talent Agency Adds 6 VFX Supervisor

March 24, 2022, 08:22 AM

https://www.awn.com/news/vfx-post-talent-agency-ad...

The VFX & Post Talent Agency has announced the addition of six VFX supervisors to its talent roster. They include Simon Giles (Dangerous Liaisons / Playground Entertainment); Taylor Tulip-Close (The Pentaverate / Netflix); Sean Stranks (Famous Last Words / Miramax); Kev Cahill (Apartment 7A / Paramount); Neil Riley (Kaos / Sister Pictures); and Jean-Louis Autret (Around the World in 80 Days / BBC).

Hawkeye VFX Breakdown by RISE

March 24, 2022, 08:21 AM

https://www.artofvfx.com/hawkeye-vfx-breakdown-by-...

Interested to discover invisible work and city environment creation? Then be sure to watch this really cool VFX Breakdown by RISE showing their work on the Marvel Studios series, Hawkeye!

Exploring Audio with Robert Mackenzie in “The Power of the Dog”

March 23, 2022, 09:07 AM

https://www.premiumbeat.com/blog/power-of-the-dog-...

We chatted with supervising sound editor Robert Mackenzie to talk about what makes The Power of the Dog so auditorily unique.

Adelaide Fringe’s Streamed Programming Done By HKP Using Blackmagic Studio Camera 4K Plus

March 22, 2022, 10:26 AM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced Hartstone-Kitney Productions (HKP) streamed more than 30 percent of the recent Adelaide Fringe festival’s digital program using Blackmagic Studio Camera 4K Plus, ATEM Mini Extreme ISO live production switchers and its existing line of Blackmagic Pocket Cinema Cameras. HKP has also used its multi camera streaming setup to broadcast a number of smaller regional theatre productions, which will soon include an upcoming multi camera livestream of Lewis Major’s Sa...

#blackmagic design#davinci resolve studio#pocket cinema camera 4k#atem mini extreme iso#pocket cinema camera 6k pro#blackmagic studio camera 4k plus

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