To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colour Grading Tutorials and Resources for DaVinci

June 9, 2014, 02:59 PM

http://jonnyelwyn.co.uk/cool-videos-films-projects...

Check out this round up of colour grading tutorials for Premiere Pro, FCPX, Edius Pro 7 and (mostly) DaVinci Resolve 10. Including a link to download some great RED RAW footage to practice grading with...

#davinci resolve#colour grading#grading tutorials#grading test shots
The look of things to come: the importance of colo

June 7, 2014, 05:20 AM

http://www.redsharknews.com/production/item/1744-t...

Color in TV dramas has never been more sophisticated LookColour lookColor lookGradingColour GradingColor GradingQuantelQuantel PabloPabloRioPablo RioQuirke

Davinci Resolve - 6776 Color Graded Shots

June 3, 2014, 08:53 PM

http://vashivisuals.com/davinci-resolve-6776-color...

I wanted to share final images from 7 projects that I’ve color graded over the last 2 years. There are more than 14,000+ total shots in all the films. Only about half are displayed above. Some of these films are completed and already released…some are coming soon! The image above represents hundreds of hours of color grading work.

How Colour Depth Affects Image Quality as Fast As

June 3, 2014, 04:21 PM

https://www.aotg.com/how-colour-depth-affects-image-quality-as-fast-as/

COLOUR DEPTH (or lack thereof) is often the culprit when you find distracting visual anomalies in video content, but because RESOLUTION gets marketed so heavily, while higher bitrates and better colour depth DON'T many people aren't aware of the issue!

Pablo Rio and Genetic Engineering 2 Set to Provide

June 3, 2014, 09:31 AM

http://www.studiodaily.com/2014/06/pablo-rio-and-g...

Newbury, UK, 3 June 2014: Quantel has supplied a Genetic Engineering 2 (GE2) system for Sony's 4K installation at the HBS production facility at the forthcoming FIFA World Cup (TM) in Brazil. Sony is delivery partner to FIFA (Fédération Internationale … more »

DaVinci Resolve Used for Near Set Dailies Grading

June 2, 2014, 12:18 PM

http://bosfcpug.org/davinci-resolve-used-by-deluxe...

Blackmagic Design has announced that DaVinci Resolve was used by EC3 dailies colorist Adrian DeLude for near set dailies grading on the Twentieth Century Fox blockbuster “X-Men: Days of Future Past.

Technicolor PostWorks Hires Colorist Anthony Raffa

June 2, 2014, 09:36 AM

http://www.btlnews.com/crafts/post-production/tech...

Finishing colorist Anthony Raffaele joined Technicolor PostWorks’ roster of film and television artists. Formerly a senior colorist at Deluxe, New York, Raffaele arrived with credits in independent film and episodic television. He served as the finishing colorist on the CBS series Blue Bloods for the past four seasons, and has worked with cinematographers including Dean Cundey, Igor Martinovic, Javier Aguirresarobe, Anette Haellmigk and Rachel Morrison.

Advanced OLED Monitor Calibration — NegativeSpac

May 31, 2014, 03:39 AM

http://www.negativespaces.com/blog/2014/5/17/advan...

On negativespaces.com you’ll find numerous articles on the subject of monitor calibration. I’d say that of all the topics I’ve covered since 2007, this is the one that I've emphasized the most.

SGO Sponsors Creative Week at BAFTA

May 30, 2014, 09:54 AM

http://www.sgo.es/2014/05/sgo-sponsors-creative-we...

Showcasing Excellence in Creative Output | 2 – 6 June 2014 – BAFTA, 195 Piccadilly London W1J 9LN 30 May 2014, London, UK – SGORead more...

VIDEOTUTORIAL: Comparar imágenes en DaVinci Resol

May 29, 2014, 04:26 PM

http://www.finalcutpro.es/2014/05/videotutorial-co...

Todos sabemos que en el proceso de corrección de color es fundamental poder comparar diferentes imágenes de una manera rápida. En este vídeo os enseñamos las diversas formas en las que se puede hacer dentro de DaVinci Resolve 10, disponibles tanto en la versión de pago como en la gratuita. En poco más de 5 minutos repasaremos […]

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