To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
It’s Here! What’s New in Audition CC
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http://blogs.adobe.com/creativecloud/?p=37199
Multichannel workflow magic, new hardware interfaces, gorgeous metering, and so much more. What’s new in Audition CC? The latest update to Adobe Audition CC unveils brand new features, improves upon some of your favorites, and expands support for the third party hardware you’ve told us you love. Take a look below at everything new in this release. Multichannel Workflows Gone are the days when a video file would have no more than a mono or stereo audio track. Modern formats like MX...
Red Giant Magic Bullet Suite: Looks 4 and Colorist
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http://postperspective.com/red-giant-magic-bullet-...
By Brady Betzel Color grading is an art unto itself. A dedicated colorist can make your footage look so good, your response upon seeing it will likely be, “I had no idea it could look like this.” Unfortunately, as an editor you don’t have the opportunity to spend 10 hours a day honing the craft of color correction. Continue reading → April 18, 2017 The post Red Giant Magic Bullet Suite: Looks 4 and Colorist IV appeared first on Randi Altman's postPerspective.
Artificial Intelligence Comes to Hollywood
April 18, 2017, 07:29 PM
http://www.studiodaily.com/2017/04/artificial-inte...
Last September, when the 20th Century Fox sci-fi thriller Morgan premiered, artificial intelligence (AI) took center stage for the first time not as a plot point but a tool. The film studio revealed that it had used IBM’s Watson — a supercomputer endowed with AI capabilities — to make the movie’s trailer. IBM research scientists “taught” Watson […] The post Artificial Intelligence Comes to Hollywood appeared first on Studio Daily.
Hard Surface Modeling Blast Doors in Cinema 4D
April 18, 2017, 09:33 AM
http://lesterbanks.com/2017/04/modeling-blast-door...
Looking to brush up on some hard surface modeling skills in C4D? Wolfgang Rode, also known as “contrafibbularities” recently posted a series that looks at building the classic science fiction stand-by — Modeling blast doors, The Post Hard Surface Modeling Blast Doors in Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks
La SAE junto a la EDA entregarán el | *Premio al
April 18, 2017, 09:33 AM
http://saeditores.org/Novedades/La-SAE-junto-a-la-...
Durante el 19º BAFICI, que se llevará a cabo entre el 19 y el 30 de abril de 2017 en Buenos Aires, la SAE junto a la EDA (Asociación Argentina de Editores Audiovisuales) entregarán el Premio al Mejor Montaje de Película en Competencia Oficial Argentina.
Introducing: The Make the Cut Judges
April 18, 2017, 09:33 AM
http://blogs.adobe.com/creative/introducing-the-ma...
To be the best, you have to be judged by the best. That’s why we’ve enlisted the help of a star-studded panel of judges for our Make the Cut video editing contest. Not up-to-speed on Make the Cut? Read here about the groundbreaking contest with Imagine Dragons to celebrate the 25th anniversary of Adobe Premiere Pro. If you’ve entered the contest, chances are you’re patiently awaiting the final results. In the meantime, learn a little bit more about the judges who will be making the ...
Pliant Technologies Promotes Art Gonzales
April 18, 2017, 07:41 AM
https://www.aotg.com/pliant-technologies-promotes-art-gonzales/
Pliant Technologies, the new professional division of CoachComm, has promoted Art Gonzales to Market Development Manager. Gonzales served as Product Market Manager at CoachComm for two years prior to joining the Pliant team when the division was formed in 2016.
#pliant technologiesApple Updates Final Cut Pro X, Motion, and Compres
April 18, 2017, 06:19 AM
http://www.doddlenews.com/news-room/apple-updates-...
Late yesterday, Apple updated Final Cut Pro X and Compressor; mostly to fix bugs but with a few new features thrown in.
Avid vs. Adobe vs. Blackmagic vs. Apple - A mild s
April 18, 2017, 05:24 AM
http://alex4d.com/notes/item/avid-vs-adobe-vs-blac...
Those involved in trying to make sure ‘their’ NLE wins in the ‘war of post production’ would do well to take notice of the big changes coming to post in the coming years. Amazon, Google, Facebook, Microsoft and maybe the wider Apple may come along and make the current battle seem small. Amazon have now rebranded their Elemental acquisition as ‘AWS Elemental, an Amazon Web Services company.’ Elemental, which makes high-speed video encoding and transcoding software to enable mu...
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