To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Why editing nominations predict the best picture O

December 13, 2013, 10:43 AM

http://variety.com/2013/film/awards/oscars-why-edi...

Gamblers and Academy Award handicappers have long known that Oscar has a “tell”: There’s a strong connection between editing and the best picture winner.

Brevity Adds 4K Capabilities to Offerings

December 13, 2013, 10:43 AM

http://sportsvideo.org/main/blog/2013/12/brevity-a...

Brevity, the software company that brought to market the first simultaneous transport and transcoding solution and super-accelerated file delivery, announced today its newly integrated 4K and motion compensated frame rate conversion capabilities, enabling seamless 4K workflows and frame rate conversion on-the-fly as part of its offering.

6.10 ARC3: Add Render Queues

December 13, 2013, 10:42 AM

http://www.youtube.com/watch?v=ENZCx7AnUdc

Demonstrates how to create and use a new render queue.

EVENT REPORT: Masterclass with Andy Canny

December 13, 2013, 05:25 AM

http://www.screeneditors.com.au/event-report-editi...

DATELINE: Sunday 4th August 2013 THE MAIN EVENT: Editing Masterclass with Andy Canny The Australian Screen Editors Guild in association with MIFF Accelerator presented the Editing Master Class with Andy Canny on Sunday the 4th of August as part of the 2013 Melbourne International Film Festival. Editor Andy Canny’s most recent editing credit is the [...]

Boris TV, Episode 187: Epic Movie Titles in Avid F

December 13, 2013, 05:25 AM

http://www.borisfx.com/borisfxnews/2013/12/13/bori...

The Hobbit: The Desolation of Smaug opens this Friday. To celebrate, Paul Ezzy teaches you how to create the opening title look with Avid FX/Boris RED. Stay tuned for a separate episode of Boris TV that shows you how to recreate … Continue reading →

Je ne fais jamais d’ours (ou presque)

December 13, 2013, 05:25 AM

http://journaldunemonteuse.wordpress.com/2013/12/1...

Nous venons de reprendre le montage du 90 minutes avec Anaelle. (Nous avons pris l’habitude de travailler avec des pauses en raison de nos diverses activités à toutes les deux). Récemment le film le vient d’obtenir l’aide au développement renforcé … Lire la suite →

Editing Without Tech!

December 12, 2013, 08:05 PM

http://www.motionvfx.com/mblog/larry_jordan_and_no...

Michael Horton uploaded an informative video featuring Norman Hollyn - heads the Editing Track at the University of Southern California (USC) School of Cinematic Arts and Larry Jordan...

2014 Video Trends

December 12, 2013, 11:02 AM

http://www.creativebloq.com/video/hottest-video-pr...

Video has quickly become the communications medium of choice. It’s easy to consume, and people love to share it on social media. For filmmakers and videographers, equipment and software are more advanced, less expensive, and easier to use. With all this interest, some cool trends are emerging in the way videos are shot and produced. Here are a few of our favorites to dominate in 2014.

Contender – Editor Christopher Rouse, Captain Ph

December 12, 2013, 11:01 AM

http://www.btlnews.com/awards/contender-portfolios...

Editor Christopher Rouse always tries to have the story in mind, then let the performances speak and make his editing decisions accordingly. The most challenging task cutting Captain Phillips was wrestling with one of the inherent aspects of the story – how to keep the title character front and center and as active as possible while he was being held hostage. “With someone like Tom Hanks, who is so supremely masterful, so attuned to story, so deeply immersed in his character, I had many ...

AJA Ki Pro and Ki Pro Rack Bolster Kit Offerings a

December 12, 2013, 11:00 AM

https://www.videoguys.com/Blog/E/AJA+Ki+Pro+and+Ki...

In 2007, Phil Wade teamed up with Leslie Zunz to launch Fat Dog Solutions, a company specializing in studio design and engineering services, as well as equipment rentals. Over the last six years, the UK-based boutique has established a diverse client base ranging from corporate customers like ICANN, PwC and Johnson & Johnson to broadcast clients like Channel 5. As the business has evolved, AJA’s Ki Pro and Ki Pro Rack digital video recorders have played a key role in the company’s succes...

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