To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
How to Direct a Film Editor
May 12, 2016, 06:24 AM
https://www.aotg.com/how-to-direct-a-film-editor/
The creative collaboration between a film director and editor thrives with trust. In this talk we share our take on the film editing process as the final rewrite of the movie.
DaVinci Resolve 12.5 Tutorial Round Up
May 12, 2016, 02:12 AM
http://jonnyelwyn.co.uk/film-video-editing-tools-f...
Want to learn DaVinci Resolve from Professional Colorists? Check out this epic round up of tips and tutorials to help you get to grips with the latest features in Resolve 12.5 Plus a look at understanding ACES
#colour grading#colour correction#aces#new features in resolve#davinci resolve 125Avid NEXIS Frequently Asked Questions
May 11, 2016, 04:02 PM
http://www.videoguys.com/blog/avid-nexis-frequentl...
Q: I recently purchased ISIS | 1000. What is my migration plan to Avid NEXIS? Can these solutions co-exist? A: Great news! ISIS | 1000 is now Avid NEXIS | PRO. It’s the same hardware underneath, but we’ve renamed it to express that it is now part of the next-generation Avid NEXIS family and can Read More The post Avid NEXIS Frequently Asked Questions appeared first on Videoguys Blog.
The Foundry Offers a Free Non-Commercial MARI
May 11, 2016, 12:55 PM
http://lesterbanks.com/2016/05/free-non-commercial...
The Foundry Adds MARI to the list of free non-commercial versions of software offerings. The Post The Foundry Offers a Free Non-Commercial MARI originally appeared and published on %%BLOGLINK%,by lesterbanks
My advice to new people joining my show
May 11, 2016, 12:55 PM
http://renderplease.com/post/144202788485
Pixar - What Makes a Story Relatable
May 11, 2016, 12:54 PM
https://www.aotg.com/pixar-what-makes-a-story-relatable-2/
A quick look at Pixar's approach to storytelling and character development.
Reversed Reverb Effect
May 11, 2016, 12:54 PM
http://reaperblog.net/2016/05/reversed-reverb-effe...
How to make a reversed vocal swell transition in REAPER. This is a classic production trick done by reversing a copy of the vocal, printing reverb to it, then reversing again so the reverb tail precedes the voice.
Tales of a film editor: the making of Olivier’s
May 11, 2016, 12:54 PM
http://www.bfi.org.uk/news-opinion/news-bfi/featur...
Helga Cranston (1921-2013) arrived in London in 1939, as an 18-year-old German Jewish refugee. By the mid-1940s she was working as an editor and, on the recommendation of her mentor Reginald Beck (who had edited Laurence Olivier’s Henry V), was invited to edit Hamlet (1948).
URSA Mini 4.6K Shoots Aaron Carter’s ‘Fool’s
May 11, 2016, 09:50 AM
https://www.aotg.com/ursa-mini-4-6k-shoots-aaron-carters-fools/
Blackmagic Design today announced that URSA Mini 4.6K digital film camera was used to shoot the music video for Aaron Carter’s new hit single “Fool’s Gold.” DaVinci Resolve Studio was also used to grade the music video by Colorist Robert Crosby at L.A.-based post production studio Coyote Post.
#color grading#post production#camera#music videoCIVIL WAR: Alessandro Cioffi - VFX Supervisor - Tr
May 11, 2016, 09:20 AM
http://www.artofvfx.com/captain-america-civil-war-...
In 2013, Alessandro Cioffi talked in detail about the work of Trixter on IRON MAN 3. He then worked on films such as WHITE HOUSE DOWN and PIXELS but especially on many Marvel films like CAPTAIN AMERICA: WINTER SOLDIER, AVENGERS: AGE OF ULTRON and ANT-MAN.
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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