To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cutting an Escape, a Heist, and a Two-Act Action S

May 11, 2016, 04:38 AM

http://www.avidblogs.com/timeline-tuesday-marvel-a...

The article Cutting an Escape, a Heist, and a Two-Act Action Sequence for the Season Finale of Marvel’s ‘Agent Carter’ by Mark Hartzell appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

"Deadpool" Visual Effects Breakdown

May 11, 2016, 04:34 AM

https://vimeo.com/159011768

“Deadpool” marks the beginning of a new era for superhero films, and one sequence in particular was key to setting the tone. This is an in-depth VFX breakdown reel showcasing the behind-the-scenes efforts by the Atomic Fiction team. The work involved creating computer generated characters, vehicles, and an entire urban environment, for the thrilling car chase that kicks off this new franchise!

Rocket Rooster MEGA Monochrome Pack

May 11, 2016, 04:34 AM

http://cinescopophilia.com/rocket-rooster-mega-mon...

Check out the new Rocket Rooster Mega Monochrome pack, a bundle made up of all the Rocket Rooster Monochrome LUTs plus a few new ones, there's over 70 of them!

The Sound of Uncharted 4: A Thief’s End

May 11, 2016, 04:34 AM

https://www.aotg.com/the-sound-of-uncharted-4-a-thiefs-end/

In this exclusive SoundWorks Collection sound profile we talk with the Naughty Dog audio team behind Uncharted 4 including Audio Lead Phillip Kovats, Senior Sound Designer Robert Krekel, Senior Programmer Jonathan Lanier and Senior Sound Designer Jeremy Rogers.

Synchronizing Libraries in FCPX

May 11, 2016, 04:34 AM

https://www.aotg.com/synchronizing-libraries-in-fcpx/

In this week's installment of MacBreak Studio, Mark and Steve are joined by special guests Sam Mestman and Mike Matzdorff. Together, they will show you use a program called Sync Folders Pro to share Library data with multiple editors on your team.

352 Free Letterbox Templates for Video Editing (8K

May 10, 2016, 09:25 AM

http://www.premiumbeat.com/blog/free-letterbox-tem...

Easily give your videos the cinematic cropping they deserve with these free high-res letterbox templates for video editing.

Create Animated Outlines on 3D Type in Maya

May 10, 2016, 09:24 AM

http://lesterbanks.com/2016/05/create-animated-out...

Ian Waters shows how you can use MASH's trails node to create an interesting animated stroke effect on 3D type in Maya. The Post Create Animated Outlines on 3D Type in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks

DPA Microphones Captures Scary Good Audio For New

May 10, 2016, 09:24 AM

http://www.broadcastbeat.com/dpa-microphones-captu...

ATLANTA, MAY 10, 2016 – When a nagging problem with one of his microphones required him to send it back to the manufacturer, Production Sound Mixer Chris Durfy, CAS was looking for a replacement to complete his work on the upcoming Netflix thriller, Stranger Things. Durfy, who had heard great things about DPA Microphones over ...

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.