To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avril 2013 – Un point sur la convention collecti

May 1, 2013, 02:39 PM

http://www.monteursassocies.com/2013/05/01/avril-2...

La convention collective du cinéma fait couler beaucoup d’encre depuis quelques mois. Pour répondre aux nombreuses questions que vous vous posez sans doute, vous trouverez ci dessous un petit historique et une synthèse des positions prises par les Monteurs Associés, ainsi qu’une analyse de celles des producteurs.

Nominated for Outstanding Achievement In Multiple

May 1, 2013, 10:38 AM

http://www.hollywoodreporter.com/news/daytime-emmy...

Third Emmy Nomination for OUTSTANDING ACHIEVEMENT IN MULTIPLE CAMERA EDITING! :)

Combining Cartoon with Brainstorm

May 1, 2013, 10:38 AM

http://provideocoalition.com/cmg_keyframes/story/c...

Ever feel like you're getting the same old looks out of Cartoon, no matter what you try? In this third and final installment of learning how to get better results with the Cartoon effect...

Color Correction in Resolve, FCPX & Avid

May 1, 2013, 05:59 AM

http://jonnyelwyn.co.uk/avid/colour-correction-in-...

Check out this anatomy of a grade with colorist Chris Hall in DaVinci Resolve as he walks you through creating a 'magenta swing' look. Also some great primer tutorials on color correction in FCPX and Avid Media Composer.

#fcpx#grading#davinci resolve#avid media composer#color correction tutorials
Anne V. Coates on Cutting Lawrence of Arabia

May 1, 2013, 04:47 AM

https://www.aotg.com/anne-v-coates-on-cutting-lawrence-of-arabia/

Oscar winning editor, Anne V. Coates, discusses editing "Lawrence of Arabia"

From the Guild : DO WHAT THE FILM NEEDS

April 30, 2013, 05:42 PM

https://www.editorsguild.com/FromTheGuild.cfm?From...

Late April saw a full house at the French Institute in New York City, as the Manhattan Edit Workshop and author Bobbie O’ Steen hosted a conversation with Oscar, Emmy and Eddie Award-winning editor Stephen Rotter. With her “Inside the Cutting Room” seminars, O’Steen is known for guiding insightful discussions on the craft of editing, and this evening was no different. Rotter has cut 35 films in as many years, so there was a lot to draw from.

PASSAGES - Peter Charles Kirby

April 30, 2013, 05:41 PM

https://www.editorsguild.com/FromTheGuild.cfm?From...

Picture Editor Peter Charles Kirby passed away April 18, 2013 at West Hills Hospital in West Hills, California. He was 82 years old and was a resident of “Harry’s Haven” on the Motion Picture and Television Fund’s Woodland Hills Campus. He was born August 17, 1926 in Toronto, Canada.

Post Tips #1 Premiere Pro Cuda Render System

April 30, 2013, 01:58 PM

http://www.youtube.com/watch?v=9gkU7MZ4fGQ

unlock a hidden function that shows exactly how the cuda render system is interacting with your footage

Inside the Cutting Room EVENT!

April 30, 2013, 12:02 PM

http://mewshop.com/calendar/detail/InsideTheCuttin...

Please join us for a full-day celebration of the evolving and complex art of film editing | Discuss landmark New York classics | Explore ground-breaking interactive media | Experience the magic of feature sound design | See the vital role of the VFX artist | Deconstruct key scenes from fiction and documentary favorites

The Third Man (1949)

April 30, 2013, 04:28 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

Though the modern title sequence would not emerge until several years later, the main titles for Carol Reed's 1949 film noir The Third Man remain one of the more distinctive pre-Saul Bass examples to come out of either Hollywood or Britain.Aligned with the plucked strings and ovoid aperture of a zither - a guitar-like instrument common to Eastern Europe...

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