It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 22, 2016, 10:26 AM
http://blogs.adobe.com/creativecloud/after-effects...
This year at Adobe MAX, we released After Effects CC 2017 (14.0), which features a variety of performance and workflow enhancements. In this article, we’re sharing more detail about changes to the user interface, bug fixes, and many other small improvements. Please, if you want to ask questions about these new and changed features, come on over to the After Effects Forums. That’s the best place for questions. Questions left in comments on a blog post are much harder to work with; the...
November 22, 2016, 10:26 AM
https://roosterpost.wordpress.com/2016/11/22/miche...
Michelle Czukar is one of the top television commercial editors in Canada. She began her career editing music videos and was quickly regarded as Canada’s premier music video editor. Her talent has seen her collaborate with renowned director Floria Sigismondi on a wide range of projects, from Marilyn Manson, Tricky, and The Cure, to the […]
November 22, 2016, 10:24 AM
https://www.aotg.com/advanced-color-correction-workflow-resolve-12-5/
Seasoned colorist and fellow filmmaker Alex Jordan of Learn Color Grading and FilmSimplified has produced dozens of insightful color grading tutorials, along with a slew of dedicated courses and numerous free resources on the topic over time. Nevertheless, he still has some handy tricks up his sleeve.
November 22, 2016, 07:01 AM
http://www.provideocoalition.com/blackmagic-design...
The new update to Video Assist 2.3 also adds features to the 5” Blackmagic Video Assist including improved DNxHD and DNxHR support, false color monitoring, expanded focus options and new screen rotation features. Professionals using the Video Assist 2.3 update can now load up to six 3D LUTs when monitoring video on set with their The post Blackmagic Design: Video Assist 2.3 Update appeared first on ProVideo Coalition.
November 22, 2016, 06:59 AM
https://9to5mac.com/2016/11/22/2016-macbook-pro-sp...
Tests by freelance video editor Peter Wiggins, who runs the fcp.co website, show that the new 15-inch MacBook Pro is almost twice as fast at video rendering as the original 2012 Retina model.
November 22, 2016, 06:59 AM
http://www.cgmeetup.net/home/the-incredible-hulk-e...
Witness The Transmutation. All animation production by Axis Animation.
November 22, 2016, 06:58 AM
https://vfxblog.com/2016/11/22/ilm-is-on-fire-with...
You might not have seen Peter Berg’s Deepwater Horizon when it hit cinemas. But I’d implore you to check it out, if only for the remarkable combination of practical set photography, fire simulation and compositing involved in depicting the catastrophic – and real life – oil rig explosion that occurs in the film.
November 22, 2016, 06:58 AM
http://www.cgmeetup.net/home/creating-a-realistic-...
In this tutorial, I’ll show you how to create a realistic ocean render inside of cinema 4d.
November 22, 2016, 06:58 AM
https://www.aotg.com/advanced-mixing-with-roles-in-fcp-10-3/
In this episode of MacBreak Studio, Sam Mestman shows us how to use compound clips and Roles to quickly set up an an audio mix in Final Cut Pro 10.3.
November 21, 2016, 05:35 PM
http://www.retooled.net/?p=1690
In this video, we explore some of the new features in the Creative Cloud 2017 release of Premiere Pro. As usual, we try to focus on some of the smaller features of the release, in addition to the features that have already been getting coverage. We go over: Project Locking Captioning Updates After Effects Text […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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