To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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Ya sabéis que nos encanta descubrir como se realizan trabajos destacados de posproducción. En este caso os traemos un proyecto al que le tenemos especial cariño, entre otras cosas porque su creador, Pablo Cano, ha sido alumno nuestro en el master MFX de CICE y le hemos visto parirlo durante estos últimos meses. Utilizando todo tipo de técnicas [...] La entrada VÍDEO: Cómo se hizo el videoclip “Next Exit to Nowhere” de Straw Dogs aparece primero en finalcutpro.es.

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http://www.redsharknews.com/tutorials/item/3911-th...

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Krzysztof Domaradzki’s Blade Runner cover workshop sets the tone of the issue: how to create the stunning art used in film production. Krzysztof focuses on protagonist Rachael and applies sci-fi architecture from the iconic film, sharing his thoughts on tone, colour scheme lighting.

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Hair is often divided into parts which are visually distinct. When simulating hair dynamics it is desired that these parts of hair behave as groups so that strands stick and simulate together instead of acting independently. In this quick tutorial we learn how to achieve this with Ornatrix Maya dynamics operator. Use this technique to better preserve your hair grooms during simulation.

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As powerful as our smartphones have become, there are still limits to what it can do. It isn’t exactly easy, for example, to use one for recording professional-sounding audio. Not easy but not impossible, especially when you have the right accessories for the job. IK Multimedia is renowned for its boxes and attachments that turn smartphones into portable or makeshift recording studios. And its latest iRig Mic Studio XLR brings that professionalism to audio recording, in a device that is not mu...

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Avid has obtained exclusive licensing rights to media and entertainment technology from Nexidia, the developer behind the ScriptSync and Phrasefind software options that were removed from Media Composer with the release of version 8.0 in 2014. Avid said it plans … more » The post Avid Becomes Exclusive Licensor for Nexidia Dialog-Analysis Tech appeared first on Studio Daily.

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