It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 2, 2012, 10:22 AM
https://www.aotg.com/small-screen-big-picture-with-meg-reticker/
Editor Meg Reticker discusses the process of searching for clues to cutting, using examples from "30 Rock," "The Wire," and "Big Love." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Daniel Jamieson.
April 1, 2012, 03:57 PM
http://www.aotg.com/cuttingroom/2012/04/01/kanen-f...
This episode is a much MUCH shorter than usual interview, I usually cut the interviews weekly and when I glanced at the last part it had twenty minutes. Perfect for this last episode. Then I started cutting it and realized it was about 6 minutes...
April 1, 2012, 01:29 PM
https://www.aotg.com/that-post-show-interview-kanen-flowers-pt3/
Sorry for the shortness of the interview, The final few questions with Kanen Flowers. Kanen is host of That Post Show and this week we discuss his film work.
April 1, 2012, 10:02 AM
https://www.aotg.com/who-you-fooling/
Happy April Fool's Day. Enjoy this video on continuity from "Rob the Editor", who creates and edits the opening titles for Conan O'Brien on TBS.
March 30, 2012, 03:41 PM
http://feedproxy.google.com/~r/industryhappenings/...
Thursday April 5th - 7pm-9:30pm Making of GIRL WITH THE DRAGON TATOO Main Titles Industry guests: Blur's creative and FX team Gnomon School Of Visual Arts, 1015 North Cahuenga Blvd, Hollywood CA Free (with RSVP) Info and RSVP:www.gnomonschool.com
March 30, 2012, 10:15 AM
https://www.aotg.com/editfest-ny-2009-small-screen-big-picture/
Editor Kate Sanford, A.C.E. discusses the benefits of working with a good director, as seen in "The Wire." For more information on Editfest NY please go to editfestny.com.
March 28, 2012, 03:27 PM
http://feedproxy.google.com/~r/ericbrodeur/~3/hS87...
The script supervisor working on your show will deliver pages every day which include the lined script, notes for each page, and other summary information. This is important documentation which the editor will use throughout post-production. There is a method to properly assemble these pages for the editor…you don't just stuff them into a binder...
March 28, 2012, 03:22 PM
http://splicevine.com/heres-another-sample-post/
No matter your technical comfort level you’ll find ways to improvise your edit and boost your creativity
March 28, 2012, 11:56 AM
https://www.aotg.com/the-art-of-cutting-comedy-michael-berenbaum/
Editor Michael Berenbaum, A.C.E. discusses the challenge of having too much coverage for a scene using an example from "Sex and the City." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Daniel Jamieson.
March 27, 2012, 10:02 PM
http://www.jaa-editing.com/blog/vfx-editor-intervi...
This film has a lot of Aardman firsts – it's the first stop-motion feature for which they've used previs to guide the floor when setting their shots up. It's the first time they’ve managed their VFX in-house, with a team of around 100 VFX artists up in Bristol working on the 1500+ shots which are in the film.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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