It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 24, 2021, 04:35 PM
https://www.provideocoalition.com/aotc-seduced/
Today, I’m speaking with Emmy and Eddie nominated documentary editor, Inbal B. Lessner, ACE. Her work includes the feature documentaries, Brave Miss World and I Have Never Forgotten You, CNN’s series of “decade” defining documentaries on the 70s, 80s, 90s, and aughts, Mothers in the Middle, and Can We All Just Get Along, for which [...]Read More...
January 22, 2021, 01:30 PM
https://postperspective.com/kirk-baxter-talks-edit...
By Oliver Peters David Fincher’s Mank follows Herman Mankiewicz during the time he was writing the classic film Citizen Kane. Mank, as he was known, wrote or co-wrote about 40 films, often uncredited, including the first draft of The Wizard of Oz. Together with Orson Welles, Continue reading → January 20, 2021 The post Kirk Baxter Talks Editing Workflow on David Fincher’s Mank appeared first on postPerspective.
January 22, 2021, 01:29 PM
https://beforesandafters.com/2021/01/22/watch-this...
FEATURING SYNTHETIC SHIPS AND SUBS AND A CG OCEAN FROM DNEG.
January 22, 2021, 01:29 PM
https://www.nycppnews.com/senior-colorist-alex-ber...
NEW YORK CITY— Senior Colorist Alex Berman has joined the team at Goldcrest Post. Berman brings more than 20 years of experience in color grading and credits across feature films, episodic television, documentaries, and commercials. His recent work includes The Family for Netflix and executive producer Alex Gibney, College Behind Bars for WETA, Washington, and executive producer Ken Burns, and Hip Hop: The Songs That Shook America for AMC and producers Ahmir “Questlove” Thompson and Tarik ...
January 22, 2021, 01:29 PM
https://www.awn.com/news/visual-effects-society-an...
Lisa Cooke was named board chair and is the first woman elected to lead the organization; other officers include Emma Clifton Perry, David Tanka, Jeffrey Okun, and Gavin Graham.
January 22, 2021, 01:29 PM
https://filmschoolrejects.com/first-cow-editing/
Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about the gentle editing of Kelly Reichardt‘s First Cow.
January 22, 2021, 01:29 PM
https://www.indiewire.com/influencers/sofia-coppol...
Influencers: Coppola has relied on her long-time editor to carve out the unique rhythms and tonal balance of her films, while giving her the confidence to follow her distinctive voice.
January 22, 2021, 01:28 PM
https://www.provideocoalition.com/lets-edit-with-m...
Hey Everyone, It’s time, once again, for another “Let’s Edit” tutorial, and in this lesson, we’re talking about something that Media Composer editors hate for absolutely no valid reason at all, and I’m talking about the “New” interface. Now, we call it “New”, even though it’s been around for almost a year now, and I’ll [...]Read More...
January 21, 2021, 07:29 PM
https://www.aotg.com/bella-bandida-shot-using-pocket-cinema-camera-4k/
Blackmagic Design today announced that TV5 Philippines’ new live action TV series, “Bella Bandida,” was shot using Pocket Cinema Camera 4K as the show’s main camera. The six part reincarnation of the comic book series also used Blackmagic Design’s Video Assist during production and completed color correction using DaVinci Resolve Studio.
#blackmagic design#davinci resolve studio#video assist#pocket cinema camera 4kJanuary 21, 2021, 07:26 PM
https://www.aotg.com/laurel-canyon-live-uses-ultimatte/
Blackmagic Design today announced that Laurel Canyon Live is building a state of the art live streaming venue with Blackmagic Design gear, including Ultimatte 12 compositing processors, ATEM Constellation 8K live production switcher, URSA Mini Pro 4.6K G2 digital cameras and more. Laurel Canyon Live will serve as a space for artists, content creators, media and entertainment companies, and more to stream performances and events against dynamic virtual backgrounds in real time.
#blackmagic design#teranex#davinci resolve studio#decklink 8k pro
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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