To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Talking Monsters with VFX Super Denis Berardi

January 21, 2021, 12:30 PM

https://www.animationmagazine.net/vfx/playing-the-...

Filmmaker Paul W.S. Anderson extends his relationship with Japanese video game publisher Capcom beyond the Resident Evil franchise with the new action-packed sci-fi movie Monster Hunter. Partnering with Anderson on this year-end thrill ride are producers Jeremy Bolt and Dennis Berardi, who also serves as the visual effects supervisor on the cinematic adaptation.

Behind the scenes of this 'Stranger Things' monste

January 21, 2021, 12:30 PM

https://beforesandafters.com/2021/01/21/go-even-mo...

In this fun exploration featuring Rodeo FX’s animation supervisor Yvon Jardel, the studio breaks down the Tom/Bruce monster they worked on for season 3 of Stranger Things.

His Dark Materials - Season 2: Russell Dodgson –

January 21, 2021, 12:29 PM

https://www.artofvfx.com/his-dark-materials-season...

Russell Dodgson has been working at Framestore for over 10 years and before taking care of the visual effects of the His Dark Materials series, he worked on projects such as Harry Potter and the Deathly Hallows: Part 1, Black Mirror and Mars.

MLK/FBI Director and Editor on Building a Fruitful

January 21, 2021, 12:29 PM

https://www.moviemaker.com/mlk-fbi-director-sam-po...

MLK/FBI director Sam Pollard and editor Laura Tomaselli on their Do's and Don'ts of a great director-editor collaboration.

Kirk Baxter on editing David Fincher’s Mank

January 21, 2021, 12:29 PM

https://postperspective.com/kirk-baxter-on-editing...

By Oliver Peters David Fincher’s Mank follows Herman Mankiewicz during the time he was writing the classic film Citizen Kane. Mank, as he was known, wrote or co-wrote about 40 films, often uncredited, including the first draft of The Wizard of Oz. Together with Orson Welles, Continue reading → January 20, 2021 The post Kirk Baxter on editing David Fincher’s Mank appeared first on postPerspective.

NYC’s Preymaker Adds VFX Artist Ruben Vandebroek

January 21, 2021, 12:29 PM

https://postperspective.com/nycs-preymaker-adds-vf...

NYC’s Preymaker, a creative and technology studio launched last fall by industry leaders Angus Kneale, Melanie Wickham and Verity Grantham, has added VFX artist Ruben Vandebroek to its team. Vandebroek brings experience that combines creative and technical expertise in CGI and emerging technology. Vandebroek will be a leading creative and technical force at Preymaker with a wide remit, Continue reading → January 20, 2021 The post NYC’s Preymaker Adds VFX Artist Ruben Vandebroek appe...

Art Of The Cut Podcast Eps. 83 (“Seduced: Inside

January 21, 2021, 12:29 PM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...

EGG VFX Names Aled Rhys Jones Head of Department

January 20, 2021, 01:33 PM

https://www.awn.com/news/egg-vfx-names-aled-rhys-j...

EGG VFX has named Aled Rhys Jones as new head of department. During the challenges of the 2020 COVID pandemic, the company’s team of 12 artists worked through two lockdowns in conjunction with Milk VFX in London and delivered over 400 shots in less than 27 weeks for Intergalactic (Sky, TX Q2 2021). The team also delivered over 150 shots for The Christmas Waltz, which was the 2nd highest rated cable broadcast in the US over the Christmas period. Jones’ leadership was a key factor in both proj...

Why Most Movies are Shot with Two Dominant Colors

January 20, 2021, 01:32 PM

https://filmschoolrejects.com/why-movies-are-shot-...

You can date a film based on its use of black and white film stock. You can date a film based on its use of Technicolor. And mark my words, orange and teal contrast is going to be inseparable from the early 21st century.

Koala Mattress Commercial Used URSA Mini Pro 12K

January 19, 2021, 07:31 PM

https://www.aotg.com/koala-mattress-commercial-used-ursa-mini-pro-12k/

Blackmagic Design today announced that Koala Furniture’s new commercial campaign for their new Koala Mattress was shot on URSA Mini Pro 12K. The commercial was shot completely on the URSA Mini Pro 12K using Blackmagic RAW, with post production done using DaVinci Resolve Studio for collaboration and color correction.

#blackmagic design#davinci resolve studio#blackmagic raw#ursa mini pro 12k

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