To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cutting Ocasio Cortez Before Her Fame...

January 29, 2019, 01:53 PM

https://nofilmschool.com/sundance-editor-alexandri...

How do you edit a film about a public sensation before she’s become one? And how do you edit the story of four different women running for office, without knowing if any of them will win? Robin Blotnick knows the answer, and it involves organization, a ton of scene cards, and imaginative problem-solving when it comes to envisioning the future.

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How to Travel in Time

January 29, 2019, 10:07 AM

https://cuttingroomtales.wordpress.com/2019/01/29/...

The Art of the Flashback   Flashbacks are on my mind at the moment. I’m currently working on two feature projects – one as writer, the other as editor – which are structured around multiple time periods, so my brain has got well-used to jumping around in time. Flashbacks are pretty common these days, but … Continue reading →

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Light From Light: Editor Courtney Ware on Returnin

January 29, 2019, 10:07 AM

https://blogs.creativecow.net/blog/14860/light-fro...

Editor/Director Courtney Ware got her start in the industry as a PA, quickly working her way up to producer before her 21st birthday. After her directorial debut on Sunny in the Dark, she realized a pivot away from producing and into storytelling was in her future, and she got started on being an editor in between directing jobs. The first film to bring her to Sundance was Never Goin’ Back, and she’s back at the festival this year with Light From Light.

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First day on a new gig like

January 28, 2019, 01:05 PM

http://renderplease.tumblr.com/post/182374692920

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Cutting Honey Boy: Mónica Salazar on Editing The

January 27, 2019, 05:32 PM

https://blogs.creativecow.net/blog/14859/cutting-h...

One of the most anticipated films at the 2019 Sundance Film Festival (according to Indiewire and MTV, among others), Honey Boy is a semi-autobiographical story penned by actor Shia LaBeouf that spans a decade in the life of a child actor. It’s also the first feature film cut by editor Mónica Salazar, a Mexican immigrant whose story starts with a VCR in Monterrey and a dream to one day land at Pixar.

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War of the Worlds and Spielberg's Mastery of Tensi

January 26, 2019, 10:24 AM

https://filmschoolrejects.com/war-of-the-worlds-ba...

If you were asked to name Steven Spielberg‘s tensest sequence, what would it be? Saving Private Ryan‘s barnstorming opening? Raptors stalking Lex and Tim through the kitchen in Jurassic Park? Or Jaws‘ thrilling climax? All, of course, are astounding works, but one that isn’t mentioned nearly enough is the masterful basement sequence that occurs towards the end of War of the Worlds.

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ART OF THE CUT's Voices from Sundance Podcast Epis

January 26, 2019, 10:24 AM

https://www.provideocoalition.com/art-of-the-cuts-...

So, you’ve been asking for a podcast for a while. This is my first attempt. I’ll be working to improve the technical quality as I go, but the content is there!

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Simon Says Now Auto-translates Your FCPX Video’s

January 25, 2019, 05:46 AM

http://www.fcp.co/final-cut-pro/articles/2143-simo...

Shamir Allibhai told FCP.co how the Simon Says workflow extension for Final Cut Pro X can auto translate subtitles into 50 languages in seconds. Pretty Impressive.

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Getting random email requests like

January 25, 2019, 05:45 AM

http://renderplease.tumblr.com/post/182272491140

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Getting Started with Avid Link – Your New Creati

January 25, 2019, 05:45 AM

http://www.avidblogs.com/avid-link/

The post Getting Started with Avid Link – Your New Creative Home appeared first on Avid Blogs.

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