To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

30 Years of The Mill

December 10, 2020, 02:13 PM

https://www.themill.com/stories/30-years-of-the-mi...

To celebrate ‘30 Years Of The Mill’ we are turning our focus to the extraordinary people behind our creativity. We asked a snapshot of 30 Makers from across The Mill to share their most inspiring projects from the past, alongside their future-facing insights on the advertising industry and evolution of creative technology. Next up we have Deputy Head of CG, Chris Bayol discussing how Apex Legends 'Season 4 Assimilation Launch Trailer' pushed the boundaries of creativity and why real-time and...

Review: iZotope RX 8 Advanced for Audio Repair

December 10, 2020, 02:13 PM

https://postperspective.com/review-izotope-rx-8-ad...

By Cory Choy iZotope RX, a go-to audio repair and polishing suite for film, television, music videos and video games, has become so ubiquitous in the sound industry that “iZotope” has become a verb — “Let’s iZotope that” means let’s perform audio restoration on that clip and make it sound better. I first came across iZotope at AES in 2012 and I’ve been using it ever since. Continue reading → December 9, 2020 The post Review: iZotope RX 8 Advanced for Audio Repair appear...

Colorist Chat: Andrea Chlebak on An American Pickl

December 10, 2020, 02:12 PM

https://postperspective.com/colorist-chat-andrea-c...

By Randi Altman Industry veteran Andrea Chlebak has spent her career color grading film and television projects while at a variety of post houses. For the past two years, she was at LA’s Efilm, where she worked on projects such as An American Pickle, Bad Hair, Limetown and A Babysitter’s Guide to Monster Hunting. Continue reading → December 9, 2020 The post Colorist Chat: Andrea Chlebak on An American Pickle, Remote Work, More appeared first on postPerspective.

Babylon Berlin (Season 3) (2020)

December 10, 2020, 02:12 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Zu asche, zu staub. Zu asche. Doch noch nicht jetzt.” RSS & Email Subscribers: Check out the full Babylon Berlin (Season 3) article at Art of the Title.

Simon Says Assemble: video editing made simple

December 10, 2020, 02:12 PM

https://www.provideocoalition.com/simon-says-assem...

The leading timecode-based AI transcription platform for video professionals, Simon Says, announced Simon Says Assemble, a solution to make video editing as simple as copying and pasting text. It’s an entirely new way to edit video, says Simon Says, introducing Simon Says Assemble, a new product and significant expansion to the Simon Says platform. This [...]Read More...

9 Monkeys of Shaolin Trailers Created with Fusion

December 9, 2020, 03:02 PM

https://www.aotg.com/9-monkeys-of-shaolin-trailers-created-with-fusion/

Blackmagic Design today announced Amsterdam based 3D animation studio Colorbleed used Fusion Studio to create trailers for the announcement and launch of the video game 9 Monkeys of Shaolin.

#blackmagic design#fusion studio
The Mill Announces Global Color Department Hires &

December 9, 2020, 01:24 PM

https://www.themill.com/stories/the-mill-announces...

We are pleased to announce several new appointments within our global Colour team. The appointments come as we continue to invest and expand our Colour offering and services.

Kevin Tent Elected President of American Cinema Ed

December 9, 2020, 01:24 PM

https://www.shootonline.com/news/kevin-tent-electe...

LOS ANGELES -- American Cinema Editors (ACE) has elected a new leadership team. Kevin Tent, ACE is the new president succeeding Stephen Rivkin, ACE who has served in that capacity since 2016. Per ACE bylaws, Tent will serve a two-year term.

TerraX Docs Edited with DaVinci Resolve Studio

December 8, 2020, 03:32 PM

https://www.aotg.com/terrax-docs-edited-with-davinci-resolve-studio/

Blackmagic Design today announced that three documentaries produced for national German broadcaster, ZDF, as part of its primetime TerraX series, were edited and graded with DaVinci Resolve Studio.

#blackmagic design#davinci resolve studio#pocket cinema camera 4k#davinci resolve editor keyboard
Wong Kar Wai Discusses the Editing Changes He Made

December 8, 2020, 01:40 PM

https://thefilmstage.com/wong-kar-wai-discusses-th...

George Lucas, Francis Ford Coppola, Steven Soderbergh, Ridley Scott, and the list goes on when it comes to directors who have revisited their past work and made new edits while undergoing the restoration process. Hong Kong master Wong Kar-wai now joins the club as the long-awaited 4K restorations of his most beloved films have now arrived virtually ahead of a likely Criterion release next year.

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