To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Episode 276 — Mark Toia — Director

December 8, 2020, 01:37 PM

https://www.allanmckay.com/276/

Originating from a very successful career as an advertising photographer, Mark Toia was coerced into directing TVCs by his clients. Being pursued by advertising agencies and production companies globally, he has a lengthy list of repeat business with the world’s largest companies that most could only dream of.

Avid Online Learning — Media Composer: Ask Maria

December 6, 2020, 09:41 PM

https://www.youtube.com/watch?v=H2ytXxM_kj4

Marianne is back! As an Avid Master Instructor, she can help answer your Media Composer questions and show you a few tricks along the way.

*True Crime argentino*, por Lautaro Colace (SAE) y

December 6, 2020, 09:40 PM

http://saeditores.org/Novedades/True-Crime-argenti...

Los editores de la recientemente estrenada docu-serie "Carmel, ¿quién mató a María Marta?" nos cuentan su experiencia.

Film for The North Face Shot on URSA Mini Pro G2

December 4, 2020, 04:17 PM

https://www.aotg.com/film-for-the-north-face-shot-on-ursa-mini-pro-g2/

Blackmagic Design today announced that Towers of Tigray, a branded content film for The North Face, has been produced by Colab Creative using a Blackmagic RAW workflow for both acquisition and post.

#blackmagic design#davinci resolve studio#blackmagic raw#ursa mini pro g2
Kiss the Ground Uses DaVinci Resolve Studio

December 3, 2020, 08:00 PM

https://www.aotg.com/kiss-the-ground-uses-davinci-resolve-studio/

Blackmagic Design announced today that the full length feature documentary “Kiss the Ground,” now available on Netflix, was conformed and graded using DaVinci Resolve Studio.

#blackmagic design#davinci resolve studio
In J.J. Abrams "Star Trek," Mary Jo Markey, ACE,

December 3, 2020, 01:51 PM

https://www.youtube.com/watch?v=g6a_v6ZURjk

Editor Mary Jo Markey ACE sits down with Author & Historian Bobbie O'Steen to discuss her editing on "Star Trek (2009) from "Sight, Sound & Story: Post Production Summit" 2019. Mary Jo Markey, ACE, is an accomplished editor in both film and television. After cutting a series of independent films and television movies, Markey began her collaboration with JJ Abrams as one of the editors of the TV series "Felicity" during its first three seasons (1998-2000). Markey then moved over t...

La SAE otorgó el Premio al Mejor Montaje en el 35

December 3, 2020, 01:49 PM

http://saeditores.org/Novedades/La-SAE-otorgo-el-P...

El jurado, integrado por Ana Godoy (SAE), Josefina Llobet (SAE) y Damián Bericat (SAE) otorgó el Premio al Mejor Montaje entre todos los largometrajes argentinos que participaron en las secciones Competencia Argentina, Competencia Latinoamericana, Competencia Internacional y Competencia Estados Alterados.

In the LoUPE

December 2, 2020, 01:54 PM

https://beforesandafters.com/2020/12/02/in-the-lou...

A new tool now available production and asset management is Tangent Labs’ LoUPE. It’s cloud-based and recently went live in the AWS Marketplace. LoUPE effectively offers an interface to aid in 3D content creation, and it came directly out of a real production—Tangent Animation’s animated Netflix film, Next Gen.

Editing Greyhound...Trust the Power of Tom Hanks'

December 2, 2020, 01:54 PM

https://www.thewrap.com/greyhound-editors-big-less...

The high-seas World War II drama “Greyhound” clocks in with a svelte running time of 91 minutes, including end credits. But an extremely tightly wound and unrelenting 91 minutes it is. Starring and written by Tom Hanks, the plot is densely concentrated on about five days in February 1942, as Hanks’ Commander Krause is leading a convoy of destroyers through the so-called Black Pit.

ART OF THE CUT with Gabriel Rhodes on editing the

December 2, 2020, 01:54 PM

https://www.provideocoalition.com/aotc-time/

Today, I talk with Gabriel Rhodes about a feature documentary that has Oscar buzz – Garrett Bradley’s Time. Gabriel’s credits include Matangi/Maya/M-I-A (which won the Special Jury Prize at Sundance 2018). Also, the documentaries, Newtown, The Witness, 1971, The Tillman Story, Without Shepherds, and Quest For Honor – some of which were shortlisted for Oscar consideration. [...]Read More...

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