It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 28, 2015, 04:12 PM
https://americancinemaeditors.org/how-i-became-a-c...
I am a professional film editor, and I have lived in the trenches for fifteen years. I’ve cut episodic television, studio features, indies, theatrical trailers, EPK’s, documentaries, you name it. I’ve had a lot of different experiences…all of them the same working environments: Long hours, no days off, sitting in one position, sedentary, in a dark room. […]
September 28, 2015, 04:10 PM
http://media.wix.com/ugd/3538d2_b52691989c5b4e93ad...
EDDIE HAMILTON is one of the best editors in the film business right now. His work with Matthew Vaughn on Kick-Ass, X-Men: First Class and Kingsman: The Secret Service bagged him a gig crafting Mission: Impossible — Rogue Nation...
September 28, 2015, 12:32 PM
http://www.studiodaily.com/2015/09/view-conference...
Ever feel like SIGGRAPH has just a little too much going on? The similarly themed VIEW Conference 2015, which offers immersion in many of the same issues, but on a smaller scale, is set for October 19–23 in Turin, Italy. Attendees … more » The post Italy’s VIEW Conference Is a More Intimate Computer Graphics Confab appeared first on Studio Daily.
September 28, 2015, 12:31 PM
http://www.provideocoalition.com/after-effects-hid...
After Effects offers two ways to adjust the volume of an audio layer: the Levels parameter in the Timeline, and the Stereo Mixer effect, which can be added to a layer. Levels works on a logarithmic scale to match the way sound loudness actually works in the real world; Stereo Mixer uses a linear 0-100% (and higher) scale similar to Opacity. Which one should you choose? Both, actually - but use them for different purposes.
September 28, 2015, 12:31 PM
http://renderplease.com/post/130070287675
September 28, 2015, 12:31 PM
http://blogs.nppa.org/editfoundry/2015/09/28/editi...
When you make your cut and move on to the next shot there are so many reasons to consider. Ask yourself these questions as you make decisions.
September 28, 2015, 12:31 PM
http://www.digitalrebellion.com/blog/posts/all_dig...
We've released several updates today to make our products OS X 10.11 El Capitan compatible in time for the operating system's public release on Wednesday. This includes CinePlay 1.2.5, Pro Versioner 2.1.1, Pro Media Tools 1.4.1 and Pro Maintenance Tools 2.1.5. All remaining products did not need updates to be OS X 10.11 compatible. Additionally, we made several other changes in Pro Maintenace Tools 2.1.5: Redesigned Housekeeper user interface Media Salvage - Fixed an issue where it m...
September 28, 2015, 10:31 AM
https://www.aotg.com/korean-film-madonna-graded-with-davinci-reso/
Blackmagic Design today announced that the Korean mystery film “Madonna,” which premiered as one of the official selections in the Un Certain Regard section at Cannes Film Festival, was graded with DaVinci Resolve Studio by Eligio Kim at Seoul based KT&G Sangsangmadang.
#blackmagic design#color grading#davinci resolve#post production#color correctionSeptember 28, 2015, 05:54 AM
http://www.theguardian.com/film/2015/sep/27/sexism...
I’ve endlessly found myself in rooms of men and had the experience of feeling I wasn’t being heard. It’s a confidence thing. Jane Campion has talked about how women need to put on their armour. With Suffragette I was emboldened that there were so many women around me. We had a female writer, producers, production and costume designers.
September 28, 2015, 05:53 AM
http://www.improv.no/design-yourself-a-story
As part of my current course of study, I’m learning about design and what it means to construct a brand identity. As an editor of moving images I thought I […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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