To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
When new footage comes in
December 4, 2018, 01:19 PM
http://renderplease.tumblr.com/post/180796732090
Producers are like:
Editing A Quiet Place
December 4, 2018, 08:56 AM
https://www.aotg.com/editing-a-quiet-place/
Gordon Sits down with Christopher Tellefsen to discuss A Quiet Place.
When someone deletes the camera cards before I hav
December 4, 2018, 07:11 AM
http://renderplease.tumblr.com/post/93882161950
Tom Cross Took a Giant Leap for Editors With First
December 4, 2018, 06:03 AM
https://filmschoolrejects.com/editor-tom-cross-fir...
Considering how 'First Man' oscillates between filmmaking styles, editing creates the intense atmosphere necessary for a highly satisfying take on the Moon landing...
The morning after a Premiere Party
December 3, 2018, 01:28 PM
http://renderplease.tumblr.com/post/180758547740
Everyone else:AE’s:
Nvidia TITAN RTX, the world’s most powerful desk
December 3, 2018, 09:56 AM
https://www.provideocoalition.com/nvidia-titan-rtx...
Dubbed T-Rex, Nvidia’s new Titan RTX is announced as the world’s most powerful desktop GPU, providing massive performance for AI research, data science and creative applications.
Mavropsaridis on Crafting a Different Kind of Peri
December 3, 2018, 09:55 AM
https://nofilmschool.com/2018/12-yorgos-mavropsari...
An 18th-century period piece in which the period gets redefined and transmuted throughout, Yorgos Lanthimos's The Favourite emphasizes the old adage, "kill them with kindness," at times almost literally. An anachronistic comedy in which backstabbing and political gain are all the fiery rage, the film gleefully features the dirtiest of words rolling off the cleanest of tongues.
Exploring Lalo Schifrin's Dirty Harry Titles
December 3, 2018, 06:03 AM
https://filmschoolrejects.com/lalo-schifrin-dirty-...
There’s a thrill that music in a film can give us that can make us forget our objections and concerns. When the right music is synced up to a well-edited sequence, we can be forgiven for being lost in the groove, as it were, even if we’re just watching a guy walking around a rooftop. As luck would have it, the person responsible for making a certain inspector off-the-charts cool has just been awarded an honorary Academy Award for his work in film music. His name: Lalo Schifrin.
Made in the Middle (2018)
December 1, 2018, 04:53 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“This is the strangest secret in the world . . .” ...
What’s New in Sibelius 2018.11
November 29, 2018, 10:10 AM
http://www.avidblogs.com/sibelius-2018-11/
The post What’s New in Sibelius 2018.11 appeared first on Avid Blogs.
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