It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 27, 2018, 06:15 AM
https://postperspective.com/post-production-cloud/...
By Adrian Pennington Talked about for years, the capacity to use the cloud for the full arsenal of post workflows is possible today with huge ramifications for the facilities business. Rendering frames for visual effects requires an extraordinary amount of compute power for which VFX studios have historically assigned whole rooms full of servers to act as their renderfarm. Continue reading → November 26, 2018 The post Post production in the cloud appeared first on Randi Altman's postP...
November 26, 2018, 01:22 PM
http://renderplease.tumblr.com/post/180521458770
November 25, 2018, 08:55 AM
https://www.latimes.com/entertainment/envelope/la-...
The first time that Barry Alexander Brown was nominated for an Oscar, it was as co-director of the 1979 documentary “The War at Home.” If he’s nominated again this year, it will be for film editing — he worked on “BlacKkKlansman,” his sixth collaboration with director Spike Lee.
November 23, 2018, 01:24 PM
https://www.provideocoalition.com/aotc-creed
Dana Glauberman, ACE, has previously edited Juno, Love Happens, Up in the Air, and No Strings Attached. She has also worked on the editing teams of Mean Girls, House of Sand and Fog and Pirates of the Caribbean: The Curse of the Black Pearl.
November 23, 2018, 05:31 AM
https://www.screeneditors.com.au/wa-christmas-drin...
November 23, 2018, 05:31 AM
https://www.screeneditors.com.au/sa-christmas-catc...
November 22, 2018, 10:30 AM
https://digitalfilms.wordpress.com/2018/11/22/edit...
Editing and Music Composition A nip is in the air and snow is falling in some regions. All signs of Fall and Winter soon to come. The sights, smells, and sounds of the season will be all around us. Festive events. Holiday celebrations. Joy. But no other season is so associated with memorable music to […]
November 21, 2018, 01:17 PM
https://variety.com/2018/artisans/production/steve...
More than five years ago, while finishing the Academy Award-winning “12 Years a Slave, ” director Steve McQueen told editor Joe Walker about a different project he had in mind: an adaptation of the hit ’80s British television drama “Widows” from crime writer Lynda La Plante.
November 20, 2018, 01:20 PM
https://www.digitalproductionbuzz.com/2018/11/digi...
Thanksgiving, here in the US, reminds us to take time and be thankful for what we have. This includes family, friends and health, of course. But, here at The Buzz, we are also grateful for our guests and our audience. So, in celebration of the season, here are some of our favorite interviews from the recent past. Join host Larry Jordan as he talks with Norman Hollyn, Mark Harrison, Barbara Griffiths, Jim Malcolm and James DeRuvo. The Art of Telling a Story How Production Handles Change...
November 20, 2018, 05:49 AM
https://www.youtube.com/watch?v=dPaD1rRYs4Q
Zack Arnold, ACE, is the editor of shows like Cobra Kai, Empire, and Burn Notice, and he clearly explains his processes for managing media, using Media Composer, and taking care of health and well-being to maximize his creativity. VISIT http://www.avid.com/media-composer Follow Avid Media Composer: Facebook: https://facebook.com/avidmediacomposer Instagram: https://instagram.com/avid.mediacomposer Twitter: https://twitter.com/mediacomposer LinkedIn: https://www.linkedin.com/comp...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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