To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Interview with Gerphil Niebur, RebusFarm

August 13, 2015, 09:17 AM

https://www.aotg.com/interview-with-gerphil-niebur-rebusfarm/

RebusFarm's Gerphil Niebur talks about the impressive benefits of using their services

FANTASTIC FOUR: François Dumoulin – VFX Supervi

August 13, 2015, 09:17 AM

http://www.artofvfx.com/?p=12942

During his last appearance on The Art of VFX, Francois Dumoulin had explained in detail the work of Rodeo FX for LUCY. He then worked on CINDERELLA. Today he talks about the reboot of FANTASTIC FOUR.

animago AWARD: Nominees Entries 2015

August 13, 2015, 09:17 AM

http://www.artofvfx.com/?p=13005

The nominees for animago AWARD 2015 have been announced!

SIGGRAPH 2015 : Continuous Calibration, outil de c

August 13, 2015, 09:17 AM

http://www.3dvf.com/actualite-14115-siggraph-2015-...

Motion Analysis Corporation , which specializes in motion capture, unveiled at SIGGRAPH its new tool: Continuous Calibration . This is a calibration system with self-diagnosis and self-correction. This functionality will join Cortex . The motion capture software available from Motion Analysis According to the publisher, this novelty will greatly simplify the calibration: After installing the hardware and calibrated, the tool itself will reflect current problems: stroke given by mistake in a trip...

Exclusive Interview with Pixar's Albert Lozano

August 13, 2015, 05:40 AM

https://www.aotg.com/exclusive-interview-with-pixars-albert-lozano/

Art Director of 'Inside Out' explains the design behind the animated blockbuster

5 Habits to Get Those Creative Juices Flowing

August 13, 2015, 05:40 AM

https://screencraft.org/2015/08/12/5-habits-to-get...

We’ve all been there, haven’t we? We’ve carved out some time from our daily lives to finally sit down and write. We’ve nabbed that coveted table at the local coffee shop or book store. Or maybe we’ve finally gotten the kids out of the house. Or perhaps it’s in the wee hours of the dark, quiet, and peaceful night…

Interview with Gilles Deschaud - 3D Printing filmm

August 13, 2015, 05:40 AM

https://www.aotg.com/interview-with-gilles-deschaud-3d-printing-filmm/

Interview with filmmaker Gilles-Alexandre Deschaud spent two years 3D printing 2,500 parts to create each frame of the film. From the characters to the set, all elements were printed using the Formlabs’ Form 1+ SLA 3D Printer. Each precise detail comes together to form a beautiful representation of a magical world.

Pixar Animation Studio’s Universal Scene Descrip

August 13, 2015, 05:37 AM

https://www.foxoms.com/blog/2015/08/13/pixar-anima...

Did you see that hover-board Lexus previewed last week? If its ever felt like the future, now is it! But it seems for every step we take towards living like the Jetsons, we also make life harder for ourselves, like… The post Pixar Animation Studio’s Universal Scene Description to be Open-Sourced appeared first on FoxOMS.

The problem that 8K has to overcome: Motion Blur

August 13, 2015, 05:37 AM

http://www.redsharknews.com/technology/item/2789-t...

It's an unfortunate situation to say the least, but the fact is that motion blur can completely wipe out the advantages of very high resolution video. 8K4K300 fps300fpsMotion Blur

Interview with Tim Bevan of Working Title Films: W

August 13, 2015, 05:37 AM

http://masteringfilm.com/interview-with-tim-bevan-...

The following is an excerpt from an interview with Tim Bevan featured in FilmCraft:Producing. In commercial terms, Working Title Films, the production company that Tim Bevan helped found and co-chairs, is the most successful UK outfit of its generation. From Bridget Jones’s Diary (2001) to Four Weddings and a Funeral (1994), Notting Hill (1999), and...

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