To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mad Max Fury Road Matte Painting Reel

August 3, 2015, 08:05 AM

https://www.aotg.com/mad-max-fury-road-matte-painting-reel/

Jacek Irzykowski – Selection of my dmp shots created during Fury Road production. Nearly all the sequences required Nuke 3d set up and camera projections. The usual workflow would start with simple geo created for projections in Maya.

How I Became a Curmudgeon at 25 Years Old

August 2, 2015, 04:30 PM

http://americancinemaeditors.org/how-i-became-a-cu...

I am a professional film editor, and I have lived in the trenches for fifteen years. I’ve cut episodic television, studio features, indies, theatrical trailers, EPK’s, documentaries, you name it. I’ve had a lot of different experiences…all of them the same working environments: Long hours, no days off, sitting in one position, sedentary, in a dark room. […]

Maximum Shrinkage

August 2, 2015, 04:29 PM

http://www.animationmagazine.net/vfx/maximum-shrin...

Marvel ventures into new territory with Ant-Man, a lighter action-adventure take on the superhero genre directed by Peyton Reed (Yes Man) and starring comedian Paul Rudd as the eponymous hero: a petty criminal who acquires a special suit that shrinks in size but provides incredible strength.

LA Web Professionals – August 4th “How to Grow

August 2, 2015, 10:31 AM

http://lappg.com/la-web-professionals-august-4th-h...

Our friends at LA Web Professionals are hosting a meeting on Tuesday, August 4th. How to Grow Your Freelance Practice: Make More While Working a Bit Less featuring Jose Caballer Tuesday August 4, 2015 6:30 – 9:45 PM at Art Institute 2900 31st Street Santa Monica, CA 90405  Description: Do you get overwhelmed by your freelance practice? Would you […]

Build a system to run Resolve on a Shoestring

August 2, 2015, 10:31 AM

http://www.redsharknews.com/post/item/2265-how-to-...

RedShark Summer Replay: One man's quest to put together a smooth, responsive system to run DaVinci Resolve on a budget. (6 months old)

The Month of Favorites

August 1, 2015, 09:49 PM

http://designingsound.org/2015/08/the-month-of-fav...

What is your favorite… sound design project? synt […]

Ant-Man, Avengers 2 Editors on Working for Marvel

August 1, 2015, 09:47 PM

http://www.hollywoodreporter.com/behind-screen/edi...

The editors of Ant-Man, Avengers; Age of Ultron, Guardians of the Galaxy and Daredevil discussed working on productions in the Marvel universe, during American Cinema Editors’ annual EditFest L.A. event, Saturday at The Walt Disney Studios...

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