It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 4, 2015, 12:03 AM
http://www.moviemachine.tv/article/walter-murch-to...
The Creative Pro User Group Network (CPUG Network) today have announced the Eighth Annual Amsterdam SuperMeet, to take place on Sunday, Sept 13, 2015 at the Hotel Krasnapolsky in the heart of Amsterdam. Doors open at 4:30PM (16:30) with the SuperMeet Digital Showcase featuring 20 software and hardware developers. SuperMeet Presentations will begin at 7:00PM (19:00) and continue until 11:00PM (23:00). Tickets are on sale online for the earlybird price of Euro 10.00 each plus ticket fee and Euro 7...
August 4, 2015, 12:02 AM
http://www.cinemablend.com/new/See-X-Men-Visual-Ef...
A big part of the reason why superheroes movies are so successful now is because technology in Hollywood has gotten to a point where visual wonders from comics can be recreated in a moment with the help of a computer. That wizardry is front and center in this brand new X-Men: Apocalypse set photo, which creates an Egyptian landscape out of almost nothing:
August 3, 2015, 01:52 PM
http://www.fcp.co/final-cut-pro/articles/1704-cont...
We are always on the lookout for different methods to control Final Cut Pro X as an alternative to our Magic Mouse with its Multi-Touch. These customisable controls from Palette are very different from the normal jog wheels and sliders on existing control surfaces.
August 3, 2015, 01:51 PM
http://www.hollywoodreporter.com/news/cinema-audio...
The Cinema Audio Society has set its awards season timeline for the 52nd annual CAS Awards for sound mixing in features and TV as well as technical achievement in sound production and postproduction.
August 3, 2015, 01:51 PM
http://www.awn.com/news/zoic-adds-vfx-supervisor-j...
Los Angeles, CA -- Culver City-based visual effects house Zoic Studios has added veteran VFX supervisor Jeff Wozniak. With nearly two decades of experience in VFX, he got his start at ILM and has worked on such acclaimed films as Star Wars Episode I, II, and III, Harry Potter and the Prisoner of Azkaban, Pirates of the Caribbean: Dead Man’s Chest, Avatar, the Transformers Trilogy and Marvel’s The Avengers. Wozniak will be helming Zoic’s newly launched New York studio that will service proj...
August 3, 2015, 01:51 PM
https://www.aotg.com/iexpressions-2-character-animation-tutorial-part-1/
In this part we create a skeleton for our character with the inverse kinematics iExpressions. The skeleton is the basis for all subsequent animation.
August 3, 2015, 08:07 AM
http://www.provideocoalition.com/that-pvc-show-arc...
August 3, 2015, 08:06 AM
https://www.aotg.com/coll-anderson-on-documentary-sound-design-2/
We're all familiar with creative sound design for narrative films—from the buzz of a lightsaber to the roar of a T. rex. But what about the sound in documentary films? Is there a role for abstract sound to play when your film depicts real events?
August 3, 2015, 08:06 AM
https://www.aotg.com/documentary-film-at-skywalker-sound/
2015 Sundance Institute Music & Sound Design Lab: Documentary Film at Skywalker Sound in SoundWorks Collection
August 3, 2015, 08:06 AM
https://www.aotg.com/new-face-tracking-in-after-effects-cc-2015/
Adobe has put a little more face tracking spice in you After Effects gumbo. But does it pass mustard? Find out in this tutorial and review of this new feature. It all started out quite well and really rambled as I had things to say about it as we went. The bottom line is: I”m not thrilled, but maybe it’ll surprise me, and you, as we all get to know it a bit better?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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