To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Sight, Sound & Story: Live - Sound Design in Film

October 8, 2020, 12:43 PM

http://manhattaneditworkshop.blogspot.com/2020/10/...

 Sight, Sound & Story: Live "SoundShow: Sound Design in Film & TV"Moderator: Woody Woodhall, CAS (Studio Principal of Allied Post Audio)Speakers: Bobbi Banks, AMPAS, ATAS,MPSE (Straight Outta Compton, When They See Us) Robert Fernandez (Drive, The Adjustment Bureau) & Mildred Iatrou (La La Land, First Man) ​Inside Episode IV:  Sound is one of the most important elements in film and can be used to elevate a performance, evoke emotions, indicate mood and emphasize what's on ...

The VFX of ‘Raised by Wolves’—Part 2

October 8, 2020, 12:42 PM

https://beforesandafters.com/2020/10/08/the-vfx-of...

In Part 2 of befores & afters’ coverage of HBO Max’s Raised by Wolves, we ask production visual effects supervisor Ray McIntyre Jr. how the creatures seen in the series were realized via on-set suits, and in CG by Pixomondo.

Bite Club Hits Streaming Standards With NUGEN

October 7, 2020, 02:55 PM

https://www.aotg.com/bite-club-hits-streaming-standards-with-nugen/

Set in modern-day Brisbane, Australia, Bite Club follows a young werewolf, Adron, on his search for his missing brother in a world where supernatural beings hide in the shadows. Tapped as composer, producer and sound designer for the film, Dana James Presson knew he wanted to create an explosive theatrical presentation. He turned to a range of plug-ins from NUGEN Audio to best achieve his goal.

#post production#plug ins#nugen audio
Editing The Marvelous Mrs. Maisel

October 6, 2020, 08:11 PM

https://www.aotg.com/editing-the-marvelous-mrs-maisel/

Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. Maisel.

Beckman Uses Pocket Cinema Camera 4K

October 6, 2020, 07:38 PM

https://www.aotg.com/beckman-uses-pocket-cinema-camera-4k/

Blackmagic Design announced today that the revenge action thriller “Beckman,” starring David A. R. White, Billy Baldwin, Jeff Fahey, Burt Young and Brighton Sharbino, was shot on the Blackmagic Pocket Cinema Camera 4K using Blackmagic RAW, and graded in DaVinci Resolve Studio.

#blackmagic design#davinci resolve studio#blackmagic raw#pocket cinema camera 4k
Gerald Undone

October 6, 2020, 12:53 PM

https://www.allanmckay.com/267/

Gerald Undone is a YouTube creator whose channel is dedicated to different technologies used in the creative process. He tests a variety of tech and gadgets, reviews those products from a value perspective and provides tutorials and guides for content creation using that same gear.

ENOLA HOLMES: The VFX of the Train Sequence

October 1, 2020, 07:05 PM

https://www.artofvfx.com/enola-holmes-the-vfx-of-t...

Let’s take the train with Overall VFX Supervisor Michael Ellis explaining the different parts of the visual effects work (done by Mr. X and Host VFX) for the big train sequence in ENOLA HOLMES...

Horror Film ALIVE. Created with Blackmagic Design

October 1, 2020, 03:36 PM

https://www.aotg.com/horror-film-alive-created-with-blackmagic-design/

Blackmagic Design today announced that the new horror film by Rob Grant, “ALIVE.,” used Pocket Cinema Camera 4K for action shots. The film, which was shown across the United States in drive in theaters in September of 2020, was also graded using Blackmagic Design’s DaVinci Resolve.

#blackmagic design#davinci resolve#pocket cinema camera 4k
2020 FELLOWSHIP AWARDED TO CHRISTINA SUN KIM

October 1, 2020, 11:44 AM

http://www.karenschmeer.com/news/2020/9/27/2020-fe...

We’re thrilled to announce Christina Sun Kim as our tenth Schmeer Fellow!  photo credit: So Yun Um  She’s a skillful storyteller who wove together the personal ...

Le montage, technique et esthétique #7

October 1, 2020, 11:41 AM

https://journaldunemonteuse.wordpress.com/2020/09/...

Chaque semaine, un extrait du livre Le montage, technique et esthétique. https://www.armand-colin.com/le-montage-technique-et-esthetique-fiction-documentaire-serie-nouvelles-ecritures-9782200627218 « Je ne veux pas montrer, mais donner l’envie de voir. » Agnès Varda 7.1.1 Le champ-contrechamp Maîtriser les figures de style du montage est-il un préalable à toute … Lire la suite →

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.