To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Why Edgar Wright's Films Are Straight Up Sound Por

September 29, 2020, 04:12 PM

https://nofilmschool.com/edgar-wright-films-sound

You don't even need to open your eyes to know when you're watching an Edgar Wright film. The auteur uses sound in such an advantageous way that it propels the story without the audience even recognizing it's there. His movies are layered in rich sound design that is not cacophonous, but instead, moves to the rhythm of the visuals. As much as we pay attention to David Fincher's decisions behind every camera movement, Wright is an aficionado when it comes to understanding how sound can influence s...

Get your practical FX fix with this enormous colle

September 29, 2020, 11:05 AM

https://beforesandafters.com/2020/09/29/get-your-p...

Looking for a couple of hours of practical effects and models and miniatures interviews? Then don’t miss director, producer and model maker Berton Pierce’s YouTube channel, which has a whole bunch of segments, excerpts and bonus pieces from his Sense of Scale documentary.

Mixer William B. Kaplan Honored with CAS Career A

September 29, 2020, 11:05 AM

https://variety.com/2020/artisans/news/william-kap...

William Kaplan who has over 106 credits to his name will be honored by the Cinema Audio Society with its highest accolade, a Career Achievement Award.

TSL Products Focuses on Connectivity Solutions

September 28, 2020, 07:18 PM

https://www.aotg.com/tsl-products-focuses-on-connectivity-solutions/

TSL Products, a leading designer and manufacturer of broadcast workflow solutions, has updated its advanced broadcast control panel offerings with its new AIB-4, Web-keys for control panels and PTZ camera control through its TallyMan Virtual Panels. TSL’s control systems allow broadcasters to visualise their control workflows and bring all key operations together into an intuitive and easy to maintain interface, simplifying the user experience for broadcast applications.

#broadcast#tsl products#ptz cameras
September 2020 Meeting

September 26, 2020, 02:00 PM

https://lappg.com/september-2020-meeting/

Our online September meeting was jam packed with hard to find information from VFX editor Richard Sanchez. Having recently worked on the feature film Bill & Ted Face the Music, Richard brought his valuable experience to his presentation filled with important explanations of VFX terminology which he provided for us as a pdf document from, […] The post September 2020 Meeting appeared first on lappg.

AJA Intros Bridge Live and OpenGear Tools

September 25, 2020, 01:33 PM

https://postperspective.com/aja-intros-bridge-live...

AJA Video Systems has some new solutions and updates to help pros keep pace with the always increasing demand for higher-raster live and on-demand content. AJA’s latest developments include Bridge Live, which makes it easy to securely and reliably transport UltraHD or multi-channel HD video with a range of codec choices and secure transport protocols over public internet; Continue reading → September 24, 2020 The post AJA Intros Bridge Live and OpenGear Tools appeared first on postPers...

Live Webinar: Student Demo Day: Intro to Media Com

September 24, 2020, 04:50 PM

https://www.youtube.com/watch?v=k9yEiFEkGS0

Join Michael Krulik, Avid Video Product Evangelist in our first Student Demo Day for an interactive demonstration of the new Media Composer and some of its key features. ▶️ https://www.avid.com/media-composer Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/showcase/avid-media-composer https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidte...

Curb Your Enthusiasm Audio Post: The Challenge of

September 24, 2020, 12:49 PM

https://postperspective.com/https-postperspective-...

By Patrick Birk For decades, Larry David has been delivering cynical takes on the most seemingly inconsequential minutia life has to offer, first with NBC’s Seinfeld and then with HBO’s Curb Your Enthusiasm. David stars as a fictionalized version of himself, alongside Cheryl Hines, Continue reading → September 23, 2020 The post Curb Your Enthusiasm Audio Post: The Challenge of Improv appeared first on postPerspective.

Use of Sound Infuriates Some, Inspires Others

September 24, 2020, 12:48 PM

https://variety.com/2020/artisans/news/christopher...

The boffo global box office for “Tenet” is proof of the public appetite for Christopher Nolan’s abilities as a filmmaker, but as the film opens in more countries and, gradually, the United States, familiar questions are being raised about the director’s idiosyncratic approach to sound, and its impact on how much — or how little — of the film audiences are able to comprehend.

3D Tracking in Final Cut Pro X

September 24, 2020, 12:48 PM

https://www.provideocoalition.com/3d-tracking-in-f...

This week on MacBreak Studio, I take a look at 3D tracking using a private beta version of mTracker 3D from MotionVFX.com, a new plugin that lets you track 2D images, 3D text, and 3D objects to video footage in both Motion and Final Cut Pro X. Here I’m focussed on Final Cut Pro X [...]Read More...

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