It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 15, 2019, 06:36 AM
https://postperspective.com/sydneys-fin-creates-cg...
Fin Design + Effects, an Australian-based post production house with studios in Melbourne and Sydney, brings its VFX and visual storytelling expertise to the upcoming Netflix film, I Am Mother. Directed by Grant Sputore, the post-apocalyptic film stars Hilary Swank, Rose Byrne and Clara Rugaard. In I Am Mother, Continue reading → May 14, 2019 The post Sydney’s Fin creates CG robot for Netflix film I Am Mother appeared first on Randi Altman's postPerspective.
May 15, 2019, 06:35 AM
https://lesterbanks.com/2019/05/how-to-apply-depth...
Motion Science shows how to create a depth of field post effect in After Effects to renders coming out of C4D. One thing that is notoriously a long render time in 3D is a depth
May 15, 2019, 06:35 AM
https://library.creativecow.net/tv_adorama/field-r...
Field recording by its nature warrants good, practical kit, and longtime audio engineer Keith Alexander walks you through some of his favorite gear.
May 15, 2019, 06:35 AM
https://lesterbanks.com/2019/05/creating-an-rbd-py...
Isaac Taracks shows how to create a pyro simulation in Houdini for an Octane render in Cinema 4D. In this short description tutorial, Isaac Taracks works with Houdini and Cinema 4D to create an RBD
May 15, 2019, 06:35 AM
https://www.provideocoalition.com/cartoon-animator...
For those dealing with extreme deadlines and limited manpower, Reallusion introduces Cartoon Animator 4 and Facial Mocap Plug-in, to simplify and fasten the whole animation production. Reallusion launches Cartoon Animator 4 (formerly CrazyTalk Animator), the complete professional 2D character system, and it’s new Facial Mocap Plug-in (Motion LIVE 2D) which allows users to animate characters... The post Cartoon Animator 4 and Facial Mocap: real time animation for anyone appeared first on P...
May 14, 2019, 05:48 AM
http://www.studiodaily.com/2019/05/pixar-renderman...
Pixar’s RenderMan has just gotten an update to version 22.5, including a rewritten RenderMan for Houdini plug-in. New to RenderMan v22.5 is the ability to render mattes in a reflection or through a refraction using the PxrSurface material. Live displacement-tuning and volume-editing are now available in IPR (interactive preview) mode, and PxrCamera now has a […] The post Pixar RenderMan v22.5 Updates Include a Rewritten Houdini Plug-in appeared first on Studio Daily.
May 13, 2019, 12:49 PM
https://lesterbanks.com/2019/05/check-out-this-fas...
Glenn Frey shows a super-easy way to select a row of polygons in Cinema 4D. Some quick tips while simple, are incredibly helpful especially if they can save you a ton of time. One thing
May 13, 2019, 12:48 PM
https://lesterbanks.com/2019/05/how-to-create-a-ka...
Noble Kreative shows how to create a Kaleidoscope effect using ball action and other effects in Ae. Once again, Noble Kreative’s Najib Khayati shows us how to do some awesome things inside of After Effects
May 13, 2019, 12:48 PM
https://www.provideocoalition.com/attach-splines-t...
Attach Splines To Animated Objects Learn how to attach splines to animated objects, and alembics. Splines This article is slightly different than my usual format, as I will be presenting two tutorials on splines. One video will show splines being used more in a visual effects based shot. The other will show how to attach... The post Attach Splines To Animated Objects appeared first on ProVideo Coalition.
May 13, 2019, 05:57 AM
https://lesterbanks.com/2019/05/how-to-create-a-cl...
Christopher Rutledge shows how to put together a shader in Redshift Maya that looks like it could be claymation. These days it’s getting harder to tell what is real and what is fake. One look
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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