To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Chevrolet Trax VFX Breakdown

August 3, 2017, 09:28 AM

http://www.cgmeetup.net/home/chevrolet-trax-vfx-br...

Altvfx – Produced by Black and Cameron and directed by Bullit’s Anthony Leonardi III for McCANN, the spot begins with the image of a futuristic, robototic horse galloping at speed through the Toksun Desert in Xin’Jiang Province, before it transforms into the bold new Trax.

VALERIAN: Philippe Rebours - VFX Supervisor

August 3, 2017, 09:28 AM

http://www.artofvfx.com/valerian-and-the-city-of-a...

In 2014, Philippe Rebours explained to us about the work of ILM on NOAH. He then worked on visual effects on AVENGERS: AGE OF ULTRON.

SIGGRAPH 2017 : ZYNC Render de Google gère 3ds Ma

August 3, 2017, 05:00 AM

http://www.3dvf.com/actualite-20884-siggraph-2017-...

Google takes advantage of SIGGRAPH to announce that its rendering platform in the cloud ZYNC Render manages new tools...

Blackmagic’s Fusion 9 VR-enabled and More

August 1, 2017, 12:12 PM

http://postperspective.com/blackmagics-fusion-9/#u...

Blackmagic is at SIGGRAPH showing Fusion 9, its newly upgraded visual effects, compositing, 3D and motion graphics software. Fusion 9 features new VR tools, an entirely new keyer technology, planar tracking, camera tracking, multi-user collaboration tools and more. Fusion 9 is available now with a new price point — Blackmagic has lowered the price of its Studio version from $995 to $299 Studio Version. Continue reading → August 1, 2017 The post Blackmagic’s Fusion 9 VR-enabled and M...

TRANSFORMERS - THE LAST KNIGHT: Sheldon Stopsack

August 1, 2017, 09:33 AM

http://www.artofvfx.com/transformers-the-last-knig...

In 2015, Sheldon Stopsack explained to us about the work of MPC on TERMINATOR GENISYS and then he worked on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES. Today, he talks about his first collaboration with director Michael Bay for TRANSFORMERS: THE LAST KNIGHT.

Broadway Video's Pelino Nominated for Emmy

July 31, 2017, 07:36 AM

https://www.aotg.com/broadway-videos-pelino-nominated-for-emmy/

The Television Academy announced nominations for the 69th Annual Primetime Emmy Awards, for which Sue Pelino of Broadway Video was nominated as part of the sound mixing team for Outstanding Sound Mixing For A Variety Series Or Special.

#broadway video
Fusion Studio Creates Title Sequence for Riviera

July 28, 2017, 04:14 PM

https://www.aotg.com/fusion-studio-creates-title-sequence-for-riviera/

Blackmagic Design has today announced that London-based visual effects boutique Lexhag used Fusion Studio to help create the main title sequence for “Riviera,” Sky Atlantic’s new 10 part drama series starring Julia Stiles as the wife of a billionaire who uncovers the dark truth behind her opulent lifestyle.

#vfx#4k#post production#uhd
RT Projects in Animation, VR, and Gaming

July 28, 2017, 09:18 AM

http://www.cartoonbrew.com/vr/siggraph-2017-previe...

Over the years, the SIGGRAPH conference has had to adapt to changes in computer graphics and interactive technologies. One ‘track’ introduced in 2009 was Real-Time Live, designed to showcase developments in real-time graphics in games, rendering, and interactive simulations – but even this part of SIGGRAPH has had to evolve since its inception.

The Visual Affects of Reality

July 27, 2017, 12:55 PM

https://filmschoolrejects.com/visual-affects-reali...

Two days after wrapping on the $65 million dollar budget film Pete’s Dragon, David Lowery headed home to Texas to make a small film (literally, the aspect ratio is 1.37:1) with a group of friends called A Ghost Story. The budget? $100,000. In itself, the budget is a good marker of how different the films are. And yet in both films, Lowery uses visual effects in a very calculated and affecting way, two qualities that are often lacking in effects-heavy films nowadays. Indeed, many an article has...

Bendy Shadows in after effects tutorial

July 27, 2017, 05:31 AM

https://www.youtube.com/watch?v=bs8a7OKlbWA

Create this super hip and cool bendy shadows in After effects. This quick tutorial will teach you how, actually, I have no idea if its hip and cool, but if I wish hard enough then it will be right? is that how this works? If you need CC, Get Adobe Creative Cloud: http://cinemaspice.net/adobe-creative-cloud/ to help support this channel. Don't forget to share this video. You never know who among your friends is a closet After Effects user. Thanks. Google+ https://plus.google.c...

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.