To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

I feel good | Les Monteurs associés

September 5, 2018, 02:44 AM

http://www.monteursassocies.com/2018/09/05/i-feel-...

Monique dirige une communauté Emmaüs près de Pau. Après plusieurs années d’absence, elle voit débarquer son frère, Jacques, un bon à rien qui n’a qu’une obsession : trouver l’idée qui le rendra riche. Plus que des retrouvailles familiales, ce sont deux visions du monde qui s’affrontent.

Digital Production Buzz – September 6, 2018

September 4, 2018, 04:57 AM

https://www.digitalproductionbuzz.com/2018/09/digi...

IBC is exactly one week away, so, this week, we decided to showcase some of the trends, technology and products that we can expect next week when the show opens. We'll start with a big picture view of what to expect, then look at some new and exciting products. Join host Larry Jordan as he talks with Philip Hodgetts, Stefan Karle, Mike Palmer, Piet Thiele and James DeRuvo. Expectations for IBC 2018 New at IBC 2018: Lighting New at IBC 2018: Media Asset Management Lenses, Filters & Ch...

Art Doesn’t Pay

September 4, 2018, 04:57 AM

https://digitalfilms.wordpress.com/2018/09/04/art-...

In the short time since its 2015 launch, Frame.io has become a leading video collaboration site. Going beyond its early roots as a video review-and-approval site, Frame.io now supports numerous, long distance workflows that empower creative video professionals all around the world. Most companies feature blogs and customer profiles as just another form of marketing. […]

*Editar con el oído*, por Gus Codella (SAE)

September 4, 2018, 04:57 AM

http://saeditores.org/Novedades/Editar-con-el-oido...

Una síntesis personal de la edición por sus artífices.

Netflix Post Partner Program

September 4, 2018, 04:56 AM

https://resurface.audio/netflix-post-partner-progr...

If you are in post production it’s likely you will have worked – directly or indirectly – for Netflix already. Either as your client, or your client’s client.

Version Control and Collaborative Final Cut Pro X

September 3, 2018, 05:36 AM

http://www.fcp.co/final-cut-pro/news/2106-version-...

A new free app from Jasper Siegers allows editors to store Final Cut Pro X Libraries in the cloud with version control to facilitate better collaborative workflows.

*Editar con el oído*, por Gustavo Codella (SAE)

September 3, 2018, 05:36 AM

http://saeditores.org/Novedades/Editar-con-el-oido...

Una síntesis personal de la edición por sus artífices.

WHAT IT TAKES To Edit Documentaries

September 1, 2018, 07:14 AM

https://www.aotg.com/what-it-takes-to-edit-documentaries/

The editor of the Oscar nominated documentary "The Square" takes us through his editing process.

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