To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind the Insanely Ambitious ODESZA VFX

June 25, 2017, 07:53 AM

https://www.fxguide.com/quicktakes/behind-the-insa...

A look inside the making of the music video for Odesza’s “Line Of Sight (feat. WYNNE & Mansionair)”.

The Last Kingdom Season 2 VFX Breakdown

June 23, 2017, 04:17 AM

http://www.cgmeetup.net/home/the-last-kingdom-seas...

Blue Bolt delivered 527 shots for the second season of this Viking-era epic. We created extensive set extensions and locations, bringing 9th century Saxon England to life. Among the most notable creations was a fully CG Viking ship that features repeatedly throughout episode 3, including in a spectacular storm sequence.

VFX - Wonder Woman

June 23, 2017, 04:16 AM

https://www.fxguide.com/thevfxshow/vfxshow-220-won...

In this episode we discuss the summer blockbuster hit Wonder Woman.

Siggraph 2017 to Host VR Presentation

June 22, 2017, 05:30 PM

https://www.awn.com/news/siggraph-2017-host-vr-pre...

Director of immersive platforms storytelling for ‘The New York Times’ Graham Roberts will present a 40-minute talk about the organization’s VR expertise and integration of the new medium into the media outlet’s news reporting through NYT VR, as well as insight into the making of the 10-minute short film ‘The Antarctica Series: Under A Cracked Sky,’ executive produced by Roberts and one of four films in the Times’ Antarctica series.

VFX: War For the Planet of the Apes

June 21, 2017, 09:40 AM

http://www.postmagazine.com/Video-Center/Gallery/V...

A look at Weta's VFX work on 20th Century Fox's "War For the Planet of the Apes."

War for the Planet of the Apes VFX Video with Andy

June 21, 2017, 09:39 AM

http://collider.com/war-for-the-planet-of-the-apes...

Every year that goes by in which Andy Serkis isn’t seriously considered for an Oscar nomination is another year wasted. That ship conceivably could have sailed once The Lord of the Rings movies wrapped since Gollum was Serkis’ strongest character up to that point in his career, but he’s gone on to improve upon his motion-capture performances each and every time he steps into the technologically advanced suit. And that’s without even mentioning the growing number of motion-capture protege...

War Machine VFX Breakdown

June 21, 2017, 04:53 AM

http://www.cgmeetup.net/home/war-machine-vfx-break...

Blue-Bolt – Sole VFX vendor on Brad Pitt’s new poignant comedy about American troops in the aftermath of the Afghanistan troubles. Work included the creation of CG planes, digital set extensions, split screens and green screen replacements.

DNeg TV: The Young Pope

June 20, 2017, 01:39 PM

https://www.fxguide.com/featured/dneg-tv-the-young...

DNeg is known for its Oscar winning feature film work, but it also has a strong television group, founded four years ago. The TV team started with a crew of seven artists and today is 170 strong. It currently has 8 shows in production, and it will complete about 20 by year's end. The TV team operates from three sites, London, LA and Mumbi and services customers such as HBO, Sky, Netflix, BBC, TNT and ITV.

Outpost VFX Dives 47 Meters Down

June 20, 2017, 06:09 AM

http://cinefex.com/blog/outpost-vfx-dives-47-meter...

Steven Spielberg’s tense 1975 thriller Jaws has a lot to answer for. Not only did it help set the mold for the summer blockbuster, but it also secured the place of the great white shark as cinema’s greatest underwater nemesis.

Interview with Bethesda's Senior Character Artist

June 20, 2017, 06:09 AM

http://www.allanmckay.com/84/

Dennis Mejillones is a Senior Character Artist at Bethesda Game Studios. He is responsible for creating models for characters like Sole Survivor, Preston Garvey and most all the robots in Fallout 4. During the course of his career, he has also worked on Skyrim, Call of Duty: The First Modern Warfare, Borderlands, Shadows of Darkness. Independently, he created the characters of Undead Warrior and Sentry Bot.

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