To The Community,

It is with a heavy heart that we announce we will no longer be updating Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell Founder

Editors on Editing with “The Bad Guys” Editors John Venzon & Jesse Averna

May 12, 2022, 08:46 AM

On this weeks episode of the Editors on Editing podcast, Glenn talks with John Venzon & Jesse Averna about the new DreamWorks animated film “The Bad Guys.” You like know John from his work on films such as “The Lego Batman Movie” & “Storks.” Jesse was an editor on “Sesame Street” & was an additional [...]Read More... from Editors on Editing with “The Bad Guys” Editors John Venzon & Jesse Averna

Carbon LA Promotes Bree Brackett to Colorist

May 12, 2022, 08:46 AM

Creative studio Carbon has promoted LA-based Bree Brackett to colorist. While at Carbon she has worked on campaigns for Adidas, AT&T, eBay, Gap and Nike, to name a few. Brackett, who works on FilmLight Baselight, joins Carbon’s roster of colorists who work across studios in New York, Los Angeles and Chicago, Continue reading → May 11, 2022 The post Carbon LA Promotes Bree Brackett to Colorist appeared first on postPerspective.

Behind the Title: AFX Creative VFX Supervisor Tom Connors

May 12, 2022, 08:46 AM

Tom Connors is a VFX supervisor at Santa Monica-based AFX Creative, a studio providing post services for the advertising and entertainment industries. Their offerings include VFX, motion design, finishing and color grading. We recently spoke with Connors to find out more about his work. Can you talk about what being a VFX supervisor entails? Continue reading → May 11, 2022 The post Behind the Title: AFX Creative VFX Supervisor Tom Connors appeared first on postPerspective.

Westworld Season 4

May 12, 2022, 08:45 AM

Don’t miss this excellent teaser for the fourth season of Westworld!

VFX Notes Doctor Strange The Magic Mystery Tour

May 12, 2022, 08:44 AM

In part 2 of our Doctor Strange discussion at VFX Notes, Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters break down Method Studios’ work on the multi-verse sequence in the film. Here’s my past coverage of this sequence back at vfxblog.

I fratelli De Filippo VFX Breakdown by EDI Effett

May 12, 2022, 08:43 AM

Let’s have a look at the seamless work made by the teams of the Italian based studio EDI Effetti Digitali Italiani on the movie, I fratelli De Filippo...

Uncharted VFX Breakdown by DNEG

May 12, 2022, 08:43 AM

The teams of DNEG reveal how they created really crazy action sequences for Uncharted! Don’t miss our updated interview!

Yep I created the new AVATAR font

May 11, 2022, 08:59 AM

Last year, I got one of the craziest calls I’ve ever received. It was the crew from Lightstorm Entertainment — James Cameron’s company — who wanted to know if I could help them assemble a font for “an upcoming project.”

The Gilded Age Uses URSA Mini Pro 12K for VFX

May 10, 2022, 01:12 PM

Blackmagic Design today announced that a Blackmagic URSA Mini Pro 12K digital film camera was used to capture visual effects (VFX) plates for the HBO drama series “The Gilded Age.” VFX Supervisor Lesley Robson-Foster also used a Blackmagic Pocket Cinema Camera 6K as a witness camera for the period drama that transports New York City back to 1882.

#blackmagic design#pocket cinema camera 6k#ursa mini pro 12k
Austin’s TBD Post Adds Editor Evan Linton

May 10, 2022, 09:03 AM

Austin-based TBD Post has added Evan Linton as editor. He joins after almost 10 years at Charliuniformtango. Linton started in the industry as an assistant editor at TBWA\Chiat\Day LA, working in the agency’s internal post house, Venice Beach Editorial. While learning the ins and outs of agency life and what it takes to be successful in the edit room, Continue reading → May 9, 2022 The post Austin’s TBD Post Adds Editor Evan Linton appeared first on postPerspective.

© 2007-2022 Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.