To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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Foundation VFX Breakdown
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Much has been made about Wes Anderson’s use of symmetry in shot composition – but did you know symmetry extends to his editing style as well? Wes Anderson utilizes symmetry in every facet of his filmmaking process, from pattern events to blocking and staging. We’re going to show you the art behind Wes Anderson’s symmetrical editing; by the end, you’ll know how it works and why it’s such a stylistic strength. Watch: Wes Anderson Symmetry & Editing Subscribe for more filmmaking videos...
190 – Everything Everywhere All At Once
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In this episode we talk with the sound team behind Everything Everywhere All At Once. Supervising Sound Editor/Re-recording Mixer Brent Kiser, Re-Recording Mixer Alexandra Fehrman,…
Adobe’s Frame Rollout
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https://digitalfilms.wordpress.com/2022/04/22/adob...
Adobe acquired Frame.io last October. The latest Adobe Creative Cloud application updates showcase the first formal integration of Frame.io as a product within the Creative Cloud ecosystem. Frame.io had already developed a Premiere Pro integration using Adobe’s extensions architecture; however, the latest version of Premiere Pro and After Effects adds an integrated interface panel called […]
AFTER WORK DRINKS -SA
April 23, 2022, 09:49 AM
https://www.screeneditors.com.au/after-work-drinks...
ASSISTANT EDITOR WORKSHOP – VIC
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https://www.eventbrite.com.au/e/tv-drama-assistant-editor-workshop-tickets-322011514107
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