To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

BoinxTV Plays Nice with Blackmagic Design ATEM Swi

February 19, 2015, 08:57 AM

https://www.aotg.com/boinxtv-plays-nice-with-blackmagic-design-atem-swi/

Conveniently control up to eight camera feeds directly from BoinxTV and improve the overall distribution performance of your live event productions

#blackmagic design#mac#boinx software#boinxtv#atem switchers
Effective 4K Workflows in Avid Media Composer

February 19, 2015, 06:38 AM

http://www.premiumbeat.com/blog/effective-4k-workf...

Effectively work with 4K footage and ensure a smooth workflow in Avid Media Composer. The post Effective 4K Workflows in Avid Media Composer appeared first on The Beat: A Blog by PremiumBeat.

How to Match Frame in Final Cut Pro x

February 19, 2015, 06:38 AM

https://www.aotg.com/how-to-match-frame-in-final-cut-pro-x/

Manhattan Edit Workshop Director of Education Janet Dalton shows how to use the Match Frame tool in Final Cut Pro X. For more training in Final Cut Pro X, please visit us at mewshop.com...

Day 19 #28daysofquicktips - Using the Scratch Remo

February 19, 2015, 06:37 AM

http://provideocoalition.com/ssimmons/story/day-19...

Today’s Quicktip is another Avid Media Composer reader tip sent to us by Ra-ey Saleh. It’s an big timesaving tip if you have to use the Scratch Removal tool to remove artifacts from a single frame in your edit.

15 Premiere Pro Tutorials Every Video Editor Shoul

February 19, 2015, 06:37 AM

https://www.videoguys.com/Blog/E/15+Premiere+Pro+T...

To help you get the most out of Premiere Pro, we’ve rounded up a list of 15 essential Premiere Pro video tutorials for video editors (and aspiring editors!) From the basics of importing and capturing footage, to more advanced features like multi-cam editing and warp stabilizer, these Premiere Pro tutorials run the gamut of a post-production workflow.

G-Technology G-DOCK ev With Thunderbolt Storage Re

February 19, 2015, 06:36 AM

https://www.videoguys.com/Blog/E/G+Technology+G+DO...

As editor of Pro Tools Expert and weekly contributor to the Pro Tools Expert podcast there's a question I've seen asked again and again, should one chose a desktop or portable hard drive? Desktop hard drives normally offer faster speed and greater capacity, whereas portable drives offer the flexibility of being able to throw them into a bag for a studio session or a gig. The best of both worlds would be nice. G-Technology have come to the rescue with a combination of both desktop Thu...

VFX: And the Oscar goes to...

February 19, 2015, 06:36 AM

http://www.postmagazine.com/Post-Blog/2015/Februar...

This year's visual effects category is as competitive as ever. Just look at the films that didn't get an Oscar nomination - Edge of Tomorrow, Noah, Godzilla, Maleficent, Transformers: Age of Extinction, The Hobbit: The Battle of the Five Armies - and you realize that there were some incredible VFX created in 2014. Maleficent, in my opinion, would be the one I'd like to have seen nominated.  Post caught up with the folks at Digital Domain last summer to discuss their wor...

FCG111 – A New User (feat. Alex MacLean)

February 19, 2015, 06:34 AM

http://digitalcinemacafe.com/2015/02/18/fcg111-a-n...

If you’re not careful and you spend too much time hanging out with me you may actually want to take a serious look at FCPX.

BREAKING: Reel FX Multi-Year, Multi-Picture Deal

February 18, 2015, 05:50 PM

http://www.rotoscopers.com/2015/02/18/breaking-ree...

Reel FX has recently broke the news that Jorge Gutierrez has signed on for a multi-year, multi-picture deal with the company.

Explode Shape Layers 3 Adds Convert and Remove Art

February 18, 2015, 10:32 AM

http://lesterbanks.com/2015/02/explode-shape-layer...

Explode Shape Layers for After Effects can convert vector layers from illustrator to shape layers automatically & place each shape on a different layer.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.