To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mixing the Moulin Rouge and More with Andy Bradfie

February 18, 2015, 05:33 AM

http://www.avidblogs.com/mpg-awards-andy-bradfield...

In the second of a series of Avid Blogs Music articles celebrating the nominees of this year’s Music Producer Guild Awards, legendary producer and mixer Andy Bradfield gives us an insight into the exciting projects he’s been a part of during his career. The article Mixing the Moulin Rouge and More with Andy Bradfield by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Media Composer 101 - Advanced - 4K Workflows Part

February 18, 2015, 05:32 AM

http://provideocoalition.com/kmcauliffe/story/medi...

In the last of our 3 part introductory look at 4K workflows inside of Media Composer Subscription, we take a look at taking your Media Composer timeline, sending it via AAF to DaVinci Resolve, have Resolve open your DNxHR media, and then send it back to Media Composer for final client approval!

Premiere Pro Tutorial: Automatically Syncing Audio

February 17, 2015, 03:52 PM

http://www.premiumbeat.com/blog/premiere-pro-video...

Learn how to automatically sync audio to video in this helpful Premiere Pro video tutorial. The post Premiere Pro Tutorial: Automatically Syncing Audio to Video appeared first on The Beat: A Blog by PremiumBeat.

Color Grading: Bleach Bypass Looks in DaVinci Reso

February 17, 2015, 03:52 PM

http://www.premiumbeat.com/blog/color-grading-blea...

Create extreme color looks in DaVinci Resolve. In this post we share a technique for achieiving the stylized bleach bypass look, reminsent of films like 300 and Sin City. The post Color Grading: Bleach Bypass Looks in DaVinci Resolve appeared first on The Beat: A Blog by PremiumBeat.

Blue Collar Post Collective plans first 2015 event

February 17, 2015, 03:52 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK — The Blue Collar Post Collective is holding its 2015 launch party on Monday, February 23rd in New York City. The newly appointed leadership committee will be there and will detail the Collective’s plans for 2015. Members will also be on-hand, as the event is primarily social, giving young people in the post industry an opportunity to meet, network and share knowledge.

How to Use Timecode Overlays in Final Cut Pro X

February 17, 2015, 03:52 PM

http://www.youtube.com/watch?v=a9x3OBpTxTI&feature...

How to Use Timecode Overlays in Final Cut Pro X Manhattan Edit Workshop Director of Education Janet Dalton shows how to add Timecode Overlays in Final Cut Pro X. For more training in Final Cut Pro X, please visit us at mewshop.com. Janet... From: Manhattan Edit Workshop Views: 1 0 ratings Time: 02:56 More in Education

G-Technology G-DOCK ev With Thunderbolt Storage Re

February 17, 2015, 03:50 PM

https://www.videoguys.com/Blog/E/G+Technology+G+DO...

As editor of Pro Tools Expert and weekly contributor to the Pro Tools Expert podcast there's a question I've seen asked again and again, should one chose a desktop or portable hard drive? Desktop hard drives normally offer faster speed and greater capacity, whereas portable drives offer the flexibility of being able to throw them into a bag for a studio session or a gig. The best of both worlds would be nice. G-Technology have come to the rescue with a combination of both desktop Thu...

Top 10 Less Known Keyboard Shortcuts for Premiere

February 17, 2015, 03:50 PM

http://www.retooled.net/?p=1625

There are obvious shortcuts that everyone needs to know, like how to use the arrow tool or the blade tool, and then there are shortcuts that are a little less obvious. Those are the shortcuts that I’m hoping to go over in this video. Chances are if you are seasoned in Premiere, you know some […]

Managing Sound Effects in Final Cut Pro X

February 17, 2015, 10:45 AM

http://provideocoalition.com/mspencer/story/managi...

How do you preview sound effects in Final Cut Pro X? If you've been using the Sound and Effects Browser, Steve Martin from Ripple Training has a great tip for you today. In this week's edition of Mac Break Studio, he shows us a method for storing, filtering, and...

Blackmagic Design Unveils ATEM Switcher Update 6.3

February 17, 2015, 10:44 AM

http://sportsvideo.org/main/blog/2015/02/blackmagi...

Blackmagic Design debuted its new ATEM Switcher Update 6.3 which adds new advanced power macros that let customers operate dozens of switcher features instantly and in parallel with a single button press.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.