It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 28, 2014, 07:47 AM
http://videoandfilmmaker.com/wp/index.php/tutorial...
Why does the colour of light get cooler as the colour temperature increases? If Lee 201 Full CT Blue converts 3200K tungsten light to 5700K daylight, why do two layers of 201 (or one layer of Lee 200 Double CT Blue) convert the same 3200K light to 26,000K? Is it actually possible to predict the outcome of combining correction filters?
November 28, 2014, 07:47 AM
https://www.aotg.com/inside-the-fairytale-sets-and-character-animations/
On ABC’s “Once Upon a Time,” Disney characters like Snow White, the Queen of Hearts, and Peter Pan are set against a modern backdrop. Realistic visual effect...
November 28, 2014, 07:46 AM
http://www.creativebloq.com/3dw/Georges
Artist Jean-Michel Bihorel shared the character design of Georges Henri de la Poudrière with fellow artist Camille Campion. The concept was devised on paper by Camille and then Jean-Michel realised it in 3D, from modelling to compositing. The project took a year to create as Jean-Michel modelled the entire figure for animation as well as paying attention to the finer details.
November 28, 2014, 07:45 AM
http://www.youtube.com/watch?v=1ofc9rOQNWg&feature...
Alexander Hall Discusses the Process of Giving a Documentary Feel to a Scripted Work in "Treme" EditFest NY 2012 - Alexander Hall Discusses a Scene from the Television Show "Treme." For more information on Editfest please go to editfest.com. Alex Hall is a director, editor, and producer... From: Manhattan Edit Workshop Views: 5 0 ratings Time: 04:47 More in Education
November 28, 2014, 07:45 AM
http://provideocoalition.com/kmcauliffe/story/medi...
Let's get back to basics and take a look at bins inside of Media Composer. This first of a multi-part lesson will give you a good running start, so you can start organizing yourself lightning quick!
November 28, 2014, 07:45 AM
https://www.aotg.com/cgi-vfx-behind-the-scenes-hd-the-wizard-of-oz-cl/
Check out this cool episode in the popular 'Close Up' series as Prime Focus World takes us behind the scenes of 3D work done for the world's most loved stori...
November 28, 2014, 07:44 AM
http://www.cgmeetup.net/home/fumefx-water-bubbles-...
Hello iray dev blog readers! This is Besik Mzhavanadze and I have been working for over 10 years in the 3D industry based in Georgia, Tbilisi. This “making of” is about creating an underwater bubbles animation in 3ds Max, using Kakatoa, Frost and iray.
November 28, 2014, 07:44 AM
http://cinescopophilia.com/the-2014-mocha-customer...
Show Reel featuring films and videos that used mocha Pro and mocha AE in their visual effects process.
November 27, 2014, 09:53 PM
https://www.aotg.com/lucy-thanksgiving-2014/
Lucy - Thanksgiving 2014
November 27, 2014, 03:34 PM
http://www.hollywoodreporter.com/news/oscars-why-i...
The Academy moved beyond recognizing primarily orchestral work when voters rewarded Trent Reznor and Atticus Ross' electronic score for The Social Network four years ago. A couple of this year's choices tread even fresher ground: Hans Zimmer's largely pipe organ–based music for Interstellar, and Antonio Sanchez's daringly all-drums Birdman score.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.