It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 29, 2017, 05:17 PM
http://www.broadcastbeat.com/calrec-at-aes-new-yor...
Calrec at AES New York 2017 In addition to demoing products in the AES New York exhibition, Calrec will participate in the Broadcast Audio Expo sessions. The sessions will cover audio applications for radio and TV studios, outside broadcasts, and streaming broadcast over portable devices. AES will host a special insight panel that will look ...
August 29, 2017, 05:37 AM
https://www.asoundeffect.com/jungle-sound-recordin...
Canadian recordist Stéphane Dufour went on a recording adventure last December – the goal? To capture the sounds of wild, mysterious jungles and savannahs of the South American Rupununi region.
August 28, 2017, 12:40 PM
https://www.aotg.com/dpa-captures-sound-for-geordy-sincavage/
As a foley mixer, Geordy Sincavage has worked on a variety of films and television series throughout his career, including The Revenant, and HBO original series' The Leftovers and Westworld.
#dpa#dpa microphonesAugust 28, 2017, 04:46 AM
http://designingsound.org/2017/08/preventing-burno...
We are in highly creative, highly competitive, deadline-driven fields, and as such, over-exertion and long hours are often the norm. I’m been through the delirium of long crunches dozens of times and have unfortunately seen amazingly talented people fall victim to the stresses and exhaustion, ending their careers and leaving the creative field far too […]
August 26, 2017, 01:36 PM
http://designingsound.org/2017/08/a-sound-effect-s...
A Sound Effect just started a audio events calendar featuring audio events, conferences & meetups from all around the globe. You can read more about it in the official announcement. (title picture credit: A Sound Effect)
August 26, 2017, 06:27 AM
http://designingsound.org/2017/08/ibc-the-sound-mi...
IBC recently published an in-depth article about the Sound Design, Mixing & SFX Recording of Edgar Wright’s Baby Driver. You can read the full story here.
August 24, 2017, 09:23 AM
http://www.prosoundeffects.com/blog/setting-the-st...
Discover the lengths that true sound effects recordists will go to capture the perfect sound. As we’re diligently developing the soon-to-be-released Mangini-Anderson Sound Library for your personal use and exploring its sonic treasures, we uncovered a historic sound effect story that was too good to keep to ourselves. We recently ... The post Setting the studio on fire: Recording sounds for Raiders of the Lost Ark appeared first on Pro Sound Effects Library.
August 24, 2017, 05:39 AM
https://www.premiumbeat.com/blog/importance-silenc...
The clever use of silence can help you guide your audience's reaction to your film. Let's take a look at how to pull it off.
August 24, 2017, 05:39 AM
http://www.studiodaily.com/2017/08/indiana-jones-s...
Musician Eclectic Method built a two-minute dance track exclusively from sound FX swiped from films in the Indiana Jones franchise. The post Indiana Jones Sound Effects Remix appeared first on Studio Daily.
August 23, 2017, 09:18 AM
http://postperspective.com/emmy-awards-anthony-bou...
Re-recording mixer Brian Bracken and supervising sound editor Benny Mouthon By Jennifer Walden CNN’s Anthony Bourdain: Parts Unknown is an award-winning travel series about food and politics. Or is it a food series about travel and politics? Perhaps it’s best described as a three-course mind-meal of food, Continue reading → August 23, 2017 The post Emmy Awards: Anthony Bourdain: Parts Unknown appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.