To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
“Venían a buscarme” por Martín Sappia (EDA)
March 29, 2018, 07:10 PM
https://edaeditores.org/venian-a-buscarme-por-mart...
“Aquellas películas en las que el director está tan implicado afectivamente (…) hay que intentar congeniar lo emocional, lo racional y el cine.” El jueves 22 de Marzo de 2018, se estrenó en el Cine Gaumont (Espacio INCAA KM 0 Av. Rivadavia 1635) el documental Venían a buscarme de Álvaro de la Barra. La película tuvo su premiación En el 10º Festival de Cine Chileno (FECICH […]
Whenever I overhear someone say, “Well the AE h
March 29, 2018, 01:26 PM
http://renderplease.com/post/172380624065
EditShare Introduces QScan Automated Quality Contr
March 29, 2018, 01:26 PM
http://www.studiodaily.com/2018/03/editshare-intro...
EditShare will introduce QScan, a new line of automated quality control (AQC) software for file-based audio and video production workflow, at NAB 2018. QScan is built on the same Quales QC engine, acquired last year, that drove its previous AQC products, which were limited to checking four files at one time. The new system can be scaled up across […] The post EditShare Introduces QScan Automated Quality Control Software for File-Based Workflow appeared first on Studio Daily.
Edit Share unveils QScan AQC at NAB 2018
March 29, 2018, 01:26 PM
https://www.provideocoalition.com/edit-share-unvei...
The brand new QScan Automated Quality Control family (AQC) of products, from EditShare, simplifies compliance and delivery requirements with robust quality check capabilities. Meet the system at NAB 2018.
Appel à la grève
March 29, 2018, 07:41 AM
http://www.monteursassocies.com/2018/03/29/appel-a...
From April 10, an unprecedented movement in the cinema will bring together the professions of post-shooting: editors, sound editors, noisemakers and mixers plan to stop work for a period of 3 days. In the absence of valid proposals after these 3 days, the strike will resume the following week. On Wednesday, March 28, the SPIAC-CGT sent the employers' unions the call to strike (see below).
A Good Edit is like a Game of Poker
March 29, 2018, 07:41 AM
http://www.thehindu.com/todays-paper/tp-miscellane...
Whether it’s working on Ship of Theseus (2013)or Love per Square Foot (2018), film editor Sanyukta Kaza rarely goes by the book...
When someone asks me about the drop dead handoff t
March 28, 2018, 12:38 PM
http://renderplease.com/post/172346156610
Dalet Introduces Dalet Galaxy five at NAB 2018
March 28, 2018, 10:59 AM
https://www.aotg.com/dalet-introduces-dalet-galaxy-five-at-nab-2018/
New version of the flagship Dalet platform enables the next generation of intelligent and hybrid workflows
#workflows#media assets#media managementEditor Maya Mumma, ACE on building tension
March 28, 2018, 09:06 AM
https://www.aotg.com/editor-maya-mumma-ace-on-building-tension/
Maya Mumma, ACE, began her career in the edit room of the Academy Award nominated documentary "Restrepo." The film won the Grand Jury Prize at the 2010 Sundance Film Festival and received a News and Documentary Emmy for Outstanding Editing. Most recently, she was an editor on the Academy Award winning 7.5 hour documentary "O.J.: Made in America" for which she...
Clase magistral con Andrea Chignoli (Chile) y proy
March 28, 2018, 09:05 AM
https://edaeditores.org/clase-magistral-con-andrea...
La Comisión de Formación de EDA se enorgullece en presentar el 2° ciclo de cine Detrás del corte, dedicado a la divulgación de la obra de las y los montajistas más reconocidos y destacados. En esta oportunidad el ciclo está dedicado a la editora chilena Andrea Chignoli. Dicho evento está conformado por la proyección de dos […]
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