To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Entrevista abierta con Juan Carlos Macías (SAE) (
March 28, 2018, 05:42 AM
http://saeditores.org/Novedades/Entrevista-abierta...
Segunda parte de la Entrevista abierta con Juan Carlos Macías (SAE), organizada por la SAE en el marco de las actividades del 32° Festival Internacional de Cine de Mar del Plata, ocasión en la cual además recibió el Premio a la Trayectoria 2017.En esta segunda entrega, Macías desarrolla un amplio anecdotario de sus experiencias en el trabajo de la edición de publicidad, además de analizar su participación junto a Luis Puenzo en La historia oficial -ganadora del Oscar de la Aca...
Idustrial Revolution Releases XEffects Smooth Glas
March 28, 2018, 05:41 AM
http://www.fcp.co/final-cut-pro/articles/2056-idus...
Idustrial Revolution has just released a new set of plugins for building a glossy animating slideshow. They are on special offer at $39 for the launch, down from $49.
Cut With FCPX: The Prestigious Period Mystery-Thri
March 28, 2018, 05:41 AM
http://www.fcp.co/final-cut-pro/articles/2054-cut-...
With a production crew of 400 people, a cast of 200 actors and over 2000 extras, hundreds of hours of raw footage shot by several crews on 130 locations, 9 months of editing and 10 months of VFX work, Alberto Rodríguez’ and Rafael Cobos' 12.3 million dollar television series “La Peste” (The Plague) is the flagship original drama production of Movistar+, the largest VoD provider in Spain and part of media giant Téléfonica.
Digital Production Buzz – March 29, 2018
March 27, 2018, 12:19 PM
http://www.digitalproductionbuzz.com/2018/03/digit...
This week on the BuZZ we talk with companies who can help with production planning, renting gear and finding the right people both in front and behind the camera. Plus, we have an inside look at the upcoming SuperMeet! Join host Larry Jordan as he talks with Michael Horton, Paul Friedman, Aaton Cohen-Sitt, Steve Lack and James DeRuvo. SuperMeet 2018 Preview A Better Way to Rent Your Gear Let Gorilla Get The Monkey Off Your Back Mandy: A Better Way to Find Work The Weekly DoddleNEWS ...
Being in a group text with my boss and coworker an
March 27, 2018, 12:19 PM
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Apple’s ‘Everyone Can Create’ - we need more
March 27, 2018, 12:19 PM
http://alex4d.com/notes/item/we-need-more-stories-...
Since May 2017, Apple has been running its ‘Everyone Can Code’ educational programme. It provides video-based and interactive book-based coursework teachers and trainers to help people learn how to make applications in Apple’s Swift programming language. Schools and universities operate Apple-supported courses in app development. Although it is great that more people can learn software development this way, I think that the ability to know how to tell stories is a skill that a w...
Frame.io to preview its next-gen collaboration too
March 27, 2018, 12:18 PM
http://postperspective.com/frame-io-preview-next-g...
Frame.io will be at NAB this year previewing its re-engineered workflow management tool, which will have a full release early this summer. This next generation of the company’s media review and collaboration software, the new Frame.io was redesigned with speed in mind. The new offering will be up 100x faster with a new media browser that enables users to search through thousands of assets quickly. Continue reading → March 27, 2018 The post Frame.io to preview its next-gen collaboratio...
Frame.io Preview over 150 New Features in new Upda
March 27, 2018, 09:34 AM
http://www.fcp.co/final-cut-pro/articles/2055-fram...
Right from the launch, we have always been a big fan of Frame.io, the online video review and commenting service. For NAB 2018, they are previewing a new version with over 150 improvements.
Frame.io receives major new features and upgrades
March 27, 2018, 09:33 AM
https://www.redsharknews.com/post/item/5363-frame-...
The world of collaborative post production and client review services is hotting up quite considerably. Frame.io is one of the premier video collaboration and review platforms, and the company certainly hasn't been resting on its laurels.
FCP X: How to create custom zoom area effects for
March 27, 2018, 04:31 AM
https://9to5mac.com/2018/03/26/fcp-x-tips-001-how-...
One of the advantages of shooting video in 4K is that it allows you to zoom and pan within a 1080p project frame while still maintaining 1080p video quality. It’s great for doing faux-panning, or zooming in Final Cut Pro X to highlight specific parts of the frame without reducing video quality. As you might imagine, using such a technique is particularly beneficial for hands-on video tutorials when referencing specific items in frame.
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