It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 10, 2020, 02:14 PM
https://www.goldderby.com/article/2020/avengers-en...
Already a “fan” of the Marvel Cinematic Universe, visual effects supervisor Dan DeLeeuw knew that “Avengers: Endgame” “was going to be the biggest film we’d ever done.” He wasn’t wrong. The Disney release eventually became the highest box office grosser in history, so the pressure to deliver was immense. Watch our exclusive video interview with DeLeeuw and fellow VFX supervisors Matt Aitken, Russell Earl and Jen Underdahl above.
January 10, 2020, 01:55 AM
https://www.aotg.com/2019-fall-series-rely-on-blackmagic-design/
Hollywood, CA - January 9, 2020 - Blackmagic Design today announced that the company’s production and post products are being used to complete many of the fall 2019 season’s new and returning television shows and streaming series, including “Tom Clancy’s Jack Ryan,” “Modern Family” and “Madam Secretary.”
#blackmagic design#pocket cinema camera#davinci resolve studio#ursa mini pro#ursa mini pro g2#pocket cinema camera 4kJanuary 9, 2020, 01:44 PM
https://lesterbanks.com/2020/01/adding-moi-to-a-ci...
Contrafibbularities shows how to model a kitbash part using MOI and C4D. There are lots of great tools out there that can help round out your modeling workflow. One of them is Moment of Inspiration
January 9, 2020, 01:43 PM
http://www.postmagazine.com/Press-Center/Daily-New...
AUSTIN, TX — Dell Blue (http://dellblue.com), the internal creative agency for Dell, has added Jason Uson as senior lead creative editor. Uson has worked on commercials, online content, films and documentaries throughout the course of his career. Some of his credits include work for Zales, Southwest Airlines, Nike, Budweiser, Walgreens and Harpo Films. At Dell Blue, he has already cut a campaign for Alienware, directed by Tony Kaye.
January 9, 2020, 01:43 PM
https://lesterbanks.com/2020/01/how-to-create-proc...
Sharan Vaswani shows the basic ideas used in movies like Hellboy to create procedural drool and saliva effects. Nothing brings a character to life more than the finer details like muscles, skin, and smaller things, sticky
January 9, 2020, 01:43 PM
https://postperspective.com/maryanne-brandons-path...
By Amy Leland In the interest of full disclosure, I have been a fan of both the Star Wars world and the work of J.J. Abrams for a very long time. I saw Star Wars: Episode IV – A New Hope in the theaters with my big brother when I was five years old, Continue reading → January 7, 2020 The post Maryanne Brandon’s path, and editing Star Wars: The Rise of Skywalker appeared first on postPerspective.
January 9, 2020, 01:43 PM
https://postperspective.com/behind-the-title-film-...
By Randi Altman This British editor got his start at Final Cut in London, honing his craft and developing his voice before joining Cartel in Santa Monica. NAME: Edward Line COMPANY: Cartel CAN YOU DESCRIBE YOUR COMPANY? Continue reading → January 8, 2020 The post Behind the Title: Film Editor Edward Line appeared first on postPerspective.
January 9, 2020, 01:41 PM
https://www.awn.com/news/union-vfx-recreates-treas...
UK-based visual effects house tackles St. Peter’s Square, the Basilica and Michelangelo’s masterpiece, the Sistine Chapel ceiling.
January 8, 2020, 05:45 PM
https://www.aotg.com/eren-the-southpaw-used-davinci-resolve-studio/
Blackmagic Design today announced that Mainichi Broadcasting System (MBS) MBS/ Tokyo Broadcasting System’s (TBS) drama series “Eren the Southpaw” was graded with DaVinci Resolve Studio. The show, a live action drama series based on a manga series by artist Kappy, includes hundreds of shots per episode graded with an advanced collaborative workflow at Tokyo’s Digital Garden using a mix of DaVinci Resolve Advanced Panel, and DaVinci Resolve Mini or Micro Panel.
#blackmagic design#davinci resolve studio#davinci resolve advanced panel#davinci resolve micro panel#davinci resolve mini panelJanuary 8, 2020, 02:16 PM
https://www.awn.com/news/alita-battle-angel-lion-k...
Alita: Battle Angel and The Lion King, with five nominations each, lead all feature film nominees for the 18th Annual VES Awards, being held January 29 at the Beverly Hilton Hotel. Disney/Pixar’s Toy Story 4 tops the animated feature film contenders list with five nominations, while HBO’s Game of Thrones and Lucasfilm’s The Mandalorian lead the broadcast field with six.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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