To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

What's ADR in Film and Why is it Important?

January 8, 2020, 02:16 PM

https://nofilmschool.com/what-is-adr-in-film

Have you ever shot a scene and been unable to get around problematic noise in the background? Ever shot a complex walk-and-talk where the boom operator just couldn't keep up? Or maybe you were in a tight space and things didn't turn out the way you wanted.

VES Names Nominees for 18th Annual VES Awards

January 7, 2020, 08:18 PM

http://www.cgw.com/Press-Center/News/2020/VES-Name...

LOS ANGELES – The Visual Effects Society (VES), the industry’s professional global honorary society, has announced the nominees for the 18th Annual VES Awards, the prestigious yearly celebration that recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials and video games , and the VFX supervisors, VFX producers and hands-on artists who bring this work to life .

Understanding LUTs and How to Make Your Own

January 7, 2020, 02:10 PM

https://lesterbanks.com/2020/01/understanding-luts...

Dimitris Katsafouros dives deep into LUTs, proving that it’s better to make your own rather than buying some. A LUT is simply a lookup table; a term often used around computer science. When speaking of

The future for AMDs ProRender looks very good inde

January 7, 2020, 02:10 PM

https://www.redsharknews.com/technology/item/6890-...

In spite of flying largely under the radar, AMD’s 3D rendering engine has had a good year. AMDProRenderRaytracingAnimationCGISFXVFXCinema4DSolidworks VizualizeModo 3DMaya3DS MaxNvidia

Nice Shoes Launches Creative Editorial Division wi

January 7, 2020, 02:10 PM

https://www.studiodaily.com/2020/01/nice-shoes-cre...

New York-based creative studio Nice Shoes said it has officially launched a dedicated creative editorial division. Adam Liebowitz, formerly of Go Robot! and Beast Editorial, has been named creative director of editorial. Nice Shoes EP Tara Holmes will lead the division, the company said, with work being completed in Nice Shoes offices in New York, […] The post Nice Shoes Launches Creative Editorial Division with Adam Liebowitz appeared first on Studio Daily.

Reallusion releases Digital Human Shader for realt

January 7, 2020, 02:10 PM

https://www.provideocoalition.com/a-new-digital-hu...

Reallusion continues to make it more accessible to create realistic digital humans for real-time 3D animation with the new Digital Human Shader for iClone 7.7 and Character Creator 3.2. Character...

Episode 228 — Cinesite

January 7, 2020, 02:09 PM

https://www.allanmckay.com/228/

I’m talking with Cinesite in London! Cinesite is easily one of the top 10 VFX studios in the world. I sat down Tim Potter, Head of Assets and Salvador Zalvidea, VFX Supervisor there. We talk a lot about artists breaking into the industry, as well as what people are doing with their application.

‘Game Of Thrones’ VFX Firm Pixomondo Boards

January 7, 2020, 02:07 PM

https://deadline.com/2020/01/game-of-thrones-vfx-f...

EXCLUSIVE: Pixomondo, the VFX firm responsible for the dragons in Game of Thrones, has come on board the Roland Emmerich-produced feature film adaptation of Mozart’s The Magic Flute.

When one of your fighters is not real

January 7, 2020, 02:07 PM

https://beforesandafters.com/2020/01/07/when-one-o...

If you’ve read a little about how Weta Digital made a younger version of Will Smith for Ang Lee’s Gemini Man, then you know the overall methodology was to capture Smith with motion capture equipment and then re-create the actor as a fully CG photoreal digital double (in stereo high frame rate, no less).

Hans Zimmer hired to score Bond film at last minut

January 7, 2020, 02:07 PM

https://www.theguardian.com/music/2020/jan/07/hans...

Hans Zimmer has been drafted in as a last-minute replacement to score the James Bond movie No Time to Die, less than three months before its release.

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