It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 13, 2014, 10:49 AM
http://www.btlnews.com/awards/gravity-wins-big-at-...
The Visual Effects Society (VES) held it’s 12th annual awards show at the Beverly Hilton last night – meaning that while it’s barely younger than the century itself, it continues to share a venue with the Golden Globes. Yet the evening was more dignified than the average Globes telecast.
February 13, 2014, 05:59 AM
http://www.prnewswire.com/news-releases/technicolo...
NEW YORK, Feb. 13, 2014 /PRNewswire/ -- OTC Markets Group Inc. (OTCQX: OTCM), operator of Open, Transparent and Connected financial marketplaces, today announced that Technicolor (NYSE Euronext Paris: TCH; OTCQX: TCLRY), a worldwide technology leader in the media and entertainment sector, has chosen to have its American Depositary Receipts (ADRs) trade on OTCQX®, the best marketplace with qualified companies.
February 13, 2014, 05:58 AM
http://finalcutbasix.com/2014/02/12/compressor-4-1...
The Compressor 4.1 update provides a redesigned single-window user interface to match Final Cut Pro X and Motion 5. For those coming from prior versions of Compressor, the new design can take some getting use to. Here’s a basic overview of Compressor 4.1. Current window When Compressor 4.1 is opened, you are greeted with the […]
February 13, 2014, 05:57 AM
http://www.bestanimationbooks.com/animation/storyb...
One of the downfalls of most young storyboard artists is a weak use of staging. Staging refers to the arrangement of characters or objects within your scene and the corresponding character and camera movements.
February 13, 2014, 05:57 AM
http://www.thewrap.com/movies/article/ilm-consider...
As the new "Star Wars" movie gets ready for production, visual effects giant Industrial Light & Magic is looking at opening a facility in the United Kingdom to take advantage of foreign tax subsidies, the company told TheWrap on Tuesday.
February 13, 2014, 05:56 AM
http://variety.com/2014/film/news/visual-effects-s...
The Visual Effects Society proved that “Gravity” is causing as much buzz among vfx pros as it is among worldwide audiences. By the time the pic collected the award for visual effects in a visual effects-driven motion picture, the org’s equivalent of best picture, it had already collected five of the six awards it was nominated for.
February 13, 2014, 05:55 AM
http://www.cgwires.com/super-bowl-special-effects-...
Legacy Effects’ special effects were all over this year’s Super Bowl, from FOX’s Cleatus robot before the game to commercials with Stephen Colbert, Ellen Degeneres, Danica Patrick and Tim Tebow!
February 13, 2014, 05:55 AM
http://www.hollywoodreporter.com/behind-screen/gra...
Gravity -- widely expected to win the Oscar in visual effects -- was the big winner at the 12th annual Visual Effects Society Awards, winning six awards including the top category of outstanding visual effects in a visual effects-driven feature.
February 12, 2014, 07:41 PM
http://www.karenschmeer.com/ksfef-home/2013/8/19/b...
"Scary. Soiled. Scandalous. And basically shitty. This is how history not-so fondly remembers New York City of the 1970s..." Read the rest here.
February 12, 2014, 07:41 PM
http://www.avidblogs.com/newbluefx-colorfast-tutor...
The post WEBINAR: Color Reinvented with NewBlueFX ColorFast appeared first on Avid Blogs.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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