It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 31, 2018, 10:15 AM
https://nofilmschool.com/2018/01/premiere-pro-dyna...
Whether it's an animated title, lower third, or end credit sequence, motion graphics play a pivotal role in making any project look stylish, interesting, and professional. And while there are several programs on the market that allow you to design motion graphics, many of them require a lot of experience and expertise that beginners and even intermediate users may not have. However, Adobe Creative Cloud aims to give Premiere Pro users powerful native video editing and motion graphics tools that ...
January 31, 2018, 06:03 AM
http://www.aotg.com/index.php?page=cuttingroom_211
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
January 31, 2018, 05:45 AM
http://www.digitalproductionbuzz.com/2018/01/digit...
Media creates tens of thousands files in every size, format and description. All of which we need to safely store, track, find and manipulate. Current storage technology is overwhelmed; perhaps Object Storage can help. Tonight, we talk with industry leaders about what Object Storage is, how it works and whether it can help us manage our files. … The post Digital Production Buzz – February 1, 2018 appeared first on Digital Production BuZZ.
January 31, 2018, 05:45 AM
https://www.aotg.com/lynne-willingham-ace-favorite-mc-feature/
Lynne Willingham is an editor and producer, known for The X-Files (1993), The Pretender (1996) and Breaking Bad (2008). She is a two time Eddie Award winner for “Best Edited One-Hour Series for Commercial Television” for Breaking Bad in 2009 and 2010. She is also a two time winner of the “Outstanding Single-Camera Picture Editing for a Drama Series” for the 2008 and 2009 Emmy Awards.
January 31, 2018, 05:45 AM
https://www.aotg.com/making-the-cut-lynne-willingham-ace-crafting-t-2/
Lynne Willingham, ACE, editor of Breaking Bad and True Blood, discusses the benefits of Media Composer on projects involving creative collaboration.
January 31, 2018, 05:45 AM
http://www.fcp.co/final-cut-pro/tutorials/2036-how...
When Pro Tools Expert Russ Hughes sent us this tutorial, we were intrigued. Has he discovered a way to harness the power of a DAW running in parallel to Final Cut Pro X?
January 30, 2018, 01:56 PM
http://postperspective.com/made-in-nys-free-post-t...
New York City’s post production industry continues to grow thanks to the creation of New York State’s Post Production Film Tax Credit, which was established in 2010. Since then, over 1,000 productions have applied for the credit, creating almost a million new jobs. “While this creates more pathways for New York City residents to get into the industry, Continue reading → January 30, 2018 The post Made in NY’s free post training program continues in 2018 appeared first on Randi Al...
January 30, 2018, 01:55 PM
http://filmmakermagazine.com/104729-editing-is-the...
Zach Clark is a familiar name on this site for his work as a director; he's also a full-time editor. In this brief Q&A, Clark discusses his work on Hannah Fiddell's The Long Dumb Road, a road movie and buddy comedy that winds from Texas to Los Angeles. Click here for more from DP Andrew Droz Palermo on the film's production.
January 30, 2018, 10:53 AM
https://www.aotg.com/editor-michael-berenbaum-ace-on-editing/
Michael Berenbaum, ACE, has been editing feature films and television in New York for over twenty years. He has worked with such directors as Joel and Ethan Coen, John Turturro, Al Pacino, Julian Schnabel, and Martin Scorsese. His television work includes "Sex and the City," for which he won two ACE awards, the pilot for "Desperat...
January 30, 2018, 10:53 AM
http://postperspective.com/behind-title-weta-works...
NAME: Betsy Bauer COMPANY: Weta Workshop (@WetaWorkshop) CAN YOU DESCRIBE YOUR COMPANY? The official company description is a creative development that creates, weapons, props, creatures, make-up, miniatures, public art, merchandise for films such as The Lord of the Rings, Continue reading → January 30, 2018 The post Behind the Title: Weta Workshop editor Betsy Bauer appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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