To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Brice Carrington Saga Continues?

January 10, 2017, 01:55 PM

http://designingsound.org/2017/01/brice-carrington...

So here’s a story I didn’t expect to pop up again. Many of you may remember the man picture above. Good ol’ Brice Carrington. If you don’t know the story behind this, maybe go check out this little run down. Well, allegedly, he’s at it again. Jenifer Lewis, and actress in Los Angeles, California, has […]

Unity Audio Heads to NAMM 2017

January 10, 2017, 12:16 PM

https://www.aotg.com/unity-audio-heads-to-namm-2017/

Visit booth 7613 and learn why award-winning engineers such as Liam Nolan (Adele) and Rik Simpson, Dan Green and Phil Tan (Coldplay) rely on Unity Audio for their critical tracking, mixing and mastering environments

#namm#audio engineering#pro sound equipment
CAS Announces Sound Mixing Nominees

January 10, 2017, 11:14 AM

http://www.indiewire.com/2017/01/cinema-audio-soci...

The Cinema Audio Society has announced its nominees for the 53rd Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2016 in seven categories.

A Sound Seminar - From The Inside

January 10, 2017, 05:24 AM

https://www.asoundeffect.com/sound-seminar/

Back in November, a huge number of sound talents from all over the world came to Denmark – why? To attend ‘Sound From The Inside’, a two-day sound seminar on sonic storytelling featuring 4 of the world’s most requested sound designers.

Silence in Sound-28 Weeks of Post Audio-Week 9

January 9, 2017, 07:03 PM

http://www.provideocoalition.com/silence-sound-28-...

When editing sound and building layers for blending, sometimes there is a feeling that each moment, each action must be filled with sound. However, the push and pull of storytelling in film requires an ebb and flow to the sound design and the mixing. As discussed regarding room tone, “silence” in filmmaking does not mean The post Silence in Sound-28 Weeks of Post Audio-Week 9 appeared first on ProVideo Coalition.

Post vet Russ Robertson returns to Deluxe, joins E

January 9, 2017, 07:02 PM

http://postperspective.com/post-vet-russ-robertson...

After a year away, Russ Robertson has returned to Deluxe as SVP of sales at the company’s Encore New York. With scripted original series reaching 455 — a record — in 2016 and more shows delivering in HDR formats, Robertson’s 20 years of post experience will support content creators as they navigate this global, Continue reading → January 9, 2017 The post Post vet Russ Robertson returns to Deluxe, joins Encore New York appeared first on Randi Altman's postPerspective.

Budgeting for Post Production Sound

January 9, 2017, 07:01 PM

http://filmmakermagazine.com/100993-jon-vogl-on-bu...

On a shady street in New Orleans’ Lower Garden District you’ll find Second Line Stages’ annex building, where Apex Post Production is located. Depending on the day you arrive, you might witness an ADR session for Antoine Fuqua’s The Magnificent Seven or Ava DuVernay’s new TV show Queen Sugar. The man running the ADR session is Jon Vogl, a Los Angeles transplant and studio veteran who moved to New Orleans to take advantage of increased film and TV production in the state. In this sit-do...

RTW Launches Firmware v6.0 for TM7/9 Touchmonitors

January 9, 2017, 12:29 PM

https://www.aotg.com/rtw-launches-firmware-v6-0-for-tm7-9-touchmonitors/

RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, announces new firmware for its TouchMonitor TM7 and TM9 series. Firmware version 6.0 further enhances the sought-after TM7/TM9 meters with customer-requested features.

#rtw
2017 CAS Awards nominations preview

January 9, 2017, 10:20 AM

http://www.goldderby.com/article/2017/2017-cinema-...

The Cinema Audio Society Awards, which announces its nominees on Tuesday (Jan. 10), has an uneven track record as a preview of the Oscar slate for Best Sound Mixing. Indeed, only about two-thirds of the CSA nominees go on to contend at the Oscars. However, it does do a good job at predicting which film will win the Oscar.

Sunday Sound Thought 54 – The Proof of Concept

January 8, 2017, 01:10 PM

http://designingsound.org/2017/01/sunday-sound-tho...

Last year, I was working on a project to redesign the audio experience of an existing IP that was trying to rebrand itself. At the time, if you had asked me if I thought it would be valuable to build a proof of concept for my ideas, I probably would have said “no.” I thought […]

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