It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 11, 2018, 02:01 PM
https://www.provideocoalition.com/awesome-hue-samp...
This week on MacBreak Studio, I show Steve Martin from Ripple Training the differences between color sampling with color masks and hue curves in Final Cut Pro X.
January 11, 2018, 10:14 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Creative editorial shop Uppercut has added added editor Paul La Calandra to its roster. He joins the studio from Whitehouse Post, where he spent over five years cutting spots for top brands that include BMW, Samsung, Nike, GM and Adidas.
January 11, 2018, 10:13 AM
http://www.btlnews.com/blog-the-line/contender-edi...
One of the finest elements about Aaron Sorkin’s directorial debut in Molly’s Game is the editing and how it is beautifully woven and interlaced together as it naturally flows with elegance and aura. The editing process is exceptionally powerful in shaping every movie. To achieve this level of grandeur, not one, not two, but three talented […] The post Contenders: Editors Alan Baumgarten, Josh Schaeffer, & Elliot Graham – Molly’s Game appeared first on Below the Line.
January 11, 2018, 10:13 AM
https://www.premiumbeat.com/blog/interview-editor-...
We sat down with the editor of I, Tonya to discuss cross-genre editing and what it's like to work on projects of different sizes and budgets.
January 11, 2018, 10:13 AM
http://www.avidblogs.com/avid-giving-aca-community...
The article Avid is Once Again Giving the ACA Community the Unique Opportunity to Vote on Our Future by David Colantuoni appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
January 11, 2018, 06:13 AM
https://www.premiumbeat.com/blog/comparing-online-...
Considering investing in online filmmaking courses? Check out this comparative guide to the leading programs on the market.
January 11, 2018, 06:13 AM
http://www.postmagazine.com/Post-Blog/2018/January...
With Transcriptive, our new tool for doing automated transcriptions, we've dove into the world of A.I. headfirst. So I'm pretty familiar with where the state of industry is right now. We've been neck deep in it for the last year. A.I. is definitely changing how editors get transcripts and search video for content. Transcriptive demonstrates that pretty clearly with text. Searching via object recognition is something that also is already happening. But what about actual video edi...
January 10, 2018, 05:42 PM
http://scottsimmons.tv/blog/2018/01/08/cultivate-s...
January 10, 2018, 05:42 PM
http://www.studiodaily.com/2018/01/joe-walker-ace-...
How do you follow up a 35-year-old science-fiction classic like Blade Runner? Without compromise. Anyone who expected Blade Runner, a dystopian drama told with the troubled visual style of 1940s film noir, to be rebooted as a tidy Hollywood blockbuster must have been surprised when French-Canadian filmmaker Denis Villeneuve (Arrival, Sicario) was hired to direct. The result — dark, […] The post Joe Walker, ACE, on Editing Blade Runner 2049 appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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