To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Media Composer 6 webinar: Color Correction

March 2, 2012, 03:47 PM

http://feedproxy.google.com/~r/industryhappenings/...

ProMAX is proud to bring you the Edit to the Future series. A comprehensive, 12-session training, designed for Pro Video editors moving from Final Cut Pro or MC5.5 to the newest version of Avid's Media Composer software. SESSION 7. Color Correction webinar Tues March 6, 10am-11am PST

FCPX Advanced Color Grading Techniques

March 2, 2012, 03:43 PM

http://www.fcp.co/final-cut-pro/tutorials/753-fina...

There are many ways to colour grade in FCPX. You can use the match colour feature right up to third party plugins. Kevin McAuliffe takes a look through the options.

Twixtor Overview in FCPX

March 2, 2012, 03:41 PM

http://library.creativecow.net/freitag_lori/Twixto...

This tutorial shows how to do a simple speed-up and slow-down using Twixtor in FCPX. Posted on the Creative Cow Network site. By Lori Frietag

Bandito Brothers Tap AJA for Act of Valor

March 2, 2012, 12:23 PM

http://www.btlnews.com/crafts/post-production/band...

Bandito Brothers recently relied on AJA KONA cards to provide a 2K postproduction workflow for the Navy SEAL action-thriller Act of Valor, starring active-duty Navy SEALs.

PluralEyes for FCPX Review

March 2, 2012, 10:58 AM

http://www.tejbabra.com/2012/03/01/pluraleyes-for-...

Singular Software is very famous for their audio and video syncing application for Final Cut Pro 7 known as PluralEyes. Their program had quickly become almost a standard installation on most FCP edit suites. Now that FCPX has made it's debut, Singular Software has also updated PluralEyes to support FCPX. PluralEyes for FCPX supports dual...

Leap year and drop-frame timecode are conceptually

March 2, 2012, 10:55 AM

http://www.postmagazine.com/Post-Blog/2012/March/L...

For those in the media production industries, February 29 was a good day to revisit drop-frame SMPTE timecode, because both leap year and drop-frame timecode came into being for the sole purpose of reconciling two different time bases on which we do things with mundane regularity.

Jamie Unruh on The Stephen Holt Show

March 2, 2012, 10:55 AM

https://www.aotg.com/jamie-unruh-on-the-stephen-holt-show/

Stephen Holt talks to Film Editor Jamie Unruh and graduate of Manhattan Edit Workshop.

Tektronix Debuts WFM2200 Waveform Monitor

March 2, 2012, 10:55 AM

http://magazine.creativecow.net/article/tektronix-...

Portable form factor and affordable price are two key features of the WFM2200, a portable waveform monitor ideal for broadcasters and video content producers wishing to install, configure, maintain and troubleshoot their video equipment.

Storyboard Editing Tricks in CS 5.5

March 2, 2012, 10:53 AM

http://www.macprovideo.com/hub/premiere/storyboard...

Editing a rough cut in Premiere Pro (or any NLE) can be a slow and laborious process, particularly if you have been tucking your footage in all sorts of different Bins, and even Bins within Bins. A lot of "to-ing" and "fro-ing" between them looking for the next shot.

Premiere Pro: Using the Auto Contrast effect

March 2, 2012, 10:52 AM

http://www.richardharringtonblog.com/files/5b7dcb3...

This Premiere Pro tutorial titled The Auto Contrast Effect is from chapter two of the Fixing Video Exposure Problems in Premiere Pro course presented by lynda.com author Rich Harrington. This specific tutorial shows you how to use the Auto Contrast effect to analyze an image and correct it based on values determined by your computer.

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