To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

London Visual Effects Facility Moved to SOHO

October 7, 2013, 03:26 PM

http://news.creativecow.net/story/873093

The new studio allows the company to scale up and expand its service offering.

Coloring Machete Kills: Natasha Leonnet

October 7, 2013, 03:25 PM

http://library.creativecow.net/kaufman_debra/Color...

Colorist Natasha Leonnet talks about Machete Kills, her sixth collaboration with director Robert Rodriguez, and her pathway to becoming a colorist.

It All Adds Up Beautifully!

October 7, 2013, 03:25 PM

http://www.animationmagazine.net/tv/adds-beautiful...

The whimsical new PBS series Peg + Cat helps kids understand simple mathematical concepts without coming across as boring or pedantic.

3 on 3: Is Gravity a game changer in Hollywood?

October 7, 2013, 03:25 PM

http://www.hitfix.com/motion-captured/3-on-3-is-gr...

3 On 3 is a regular feature on HitFix where we discuss key questions about some of pop cultures biggest moments, and this week, we examine what could be the fallout from the success of Gravity, and what might be next for filmmaker Alfonso Cuaron.

Editors Guild Celebrates Fellowship and Service

October 7, 2013, 09:53 AM

http://www.btlnews.com/awards/editors-guild-celebr...

Members of the Motion Picture Editors Guild presented the MPEG Fellowship and Service Award to re-recording mixer Donald Mitchell Oct. 5, in recognition of his professionalism, collaboration, mentorship, generosity of spirit and commitment to the labor movement. Guild members and guests from the postproduction community gathered in the Star View Room of the Universal Sheridan for the presentation ceremony that included cocktails and appetizers, a sit-down dinner and a dessert bar.

SCRATCH the Surface of an Effective Production Wor

October 7, 2013, 09:52 AM

http://provideocoalition.com/news/story/scratch-th...

The invite to the October 1st and October 3rd SCRATCH User Group events in New York and Los Angeles, respectively, claim you can come to see how “SCRATCH v8 blows away the limitations of location and proximity.” After watching the presentation that took place at Canon USA...

Sound of Gravity

October 7, 2013, 09:52 AM

http://www.mentorless.com/2013/10/07/the-sound-of-...

The Sound of Gravity explains how Alfonso Cuaron, along with Skip Lievsay and his team built the sound that would create atmosphere in a universe made out of spatial silence...

'Gravity' Takes a Giant VFX Leap

October 7, 2013, 09:51 AM

http://blogs.indiewire.com/thompsononhollywood/gra...

Alfonso Cuaron smiled when I suggested that "Gravity" was pure cinema in the tradition of Hitchcock: the long, exploratory shots of Sandra Bullock floating in space with alternating points of view, tethered to a mise en scene of perpetual motion that's very musical: balancing primal terror with celestial beauty. The opening 13-minute shot alone will be studied for its visual and dramatic force.

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