To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Inevitable Convergence
October 7, 2013, 05:21 AM
http://www.creativeimpatience.com/inevitable-conve...
It’s interesting to watch various pieces of software slowly converging into the realm of tools which only a few years ago were beyond financial capabilities of most mortals. Premiere Pro slowly integrates tightly not only with After Effects (which received a long needed 3D boost in the CC release), but … see more →
Meet the Artist: Scott Lee Miller
October 7, 2013, 05:21 AM
http://postperspective.com/2013/10/meet-the-artist...
Being the Supreme Overlord of all things musical within his studio is quite a responsibility… but one he absolutely loves! NAME: Scott Lee Miller aka Mojo Magnet COMPANY: The Hit House (www.thehithouse.com), Los Angeles, @HitHouseMusic CAN YOU DESCRIBE YOUR COMPANY? Music composition, custom scoring, sound design, and high-end production music. WHAT’S YOUR JOB TITLE? Creative […]
Audio Post For Reality TV
October 7, 2013, 05:20 AM
http://provideocoalition.com/wwoodhall/story/audio...
I keep busy as a supervising sound editor and rerecording mixer doing, among other things, reality television programming. It is a fast paced process with rigorous requirements for audio deliverables. I deliver three or more episodes each week over the course of several different...
The Sound of Gravity
October 7, 2013, 05:18 AM
http://designingsound.org/2013/10/the-sound-of-gra...
In this exclusive SoundWorks Collection profile we talk with Director Alfonso Cuarón and Re-recording Mixer Skip Lievsay about the sound teams work to create a dramatic sound scape to a dark and vast outer space environment.
The Amateur Vs. The Professional
October 7, 2013, 05:18 AM
http://www.screenlight.tv/blog/2013/09/23/amature-...
How is it that the professional editor in a $20,000+ non-linear editing suite has to compete with the 18-year-old neighbor with a MacBook Pro and FCPX who lives in his mother’s basement?
FCP X: Soften Skin Texture Quickly
October 7, 2013, 05:18 AM
http://www.larryjordan.biz/fcp-x-quick-skin-soften...
A simple, step-by-step technique to soften skin and add a glow for romantic closeups using Final Cut Pro X.
Pixar's Process
October 6, 2013, 01:13 PM
http://i.imgur.com/ghE6vol.jpg
Pixar's stages and process in one image.
Rampant Design Tools
October 6, 2013, 01:08 PM
http://digitalfilms.wordpress.com/2013/10/06/rampa...
Editors love to play with effects and filters. It’s one of the things that has driven the FCP X market. No matter what NLE you use, filters and transitions are almost always proprietary to that application. You can’t use a Motion template in any other application than Final Cut or Motion. Often the best solution […]
My All Raw Timelapse Workflow
October 6, 2013, 01:08 PM
http://feedproxy.google.com/~r/richardharringtonbl...
SoundWorks' On Soundmixing Gravity
October 6, 2013, 01:08 PM
http://www.firstshowing.net/2013/watch-soundworks-...
Everything that you learn helps you appreciate what a rare and fantastic collaboration that is... The latest, greatest must see SoundWorks Collection
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.